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shesnake:We did an opera-singing scene, and there was a dancing one too… I don’t know why it was nev

shesnake:Arifin Putra in The Raid 2: Berandal (2014) dir. Gareth Evans

neocitys:Takeshi Kaneshiro & Brigitte Lin in Chungking Express (1994) dir. Wong Kar-wai

keanurevees:SPEED (1994) dir. Jan de Bont

bongjoonsho:The Handmaiden (2016) dir. Park Chan-wookThe Favourite (2018) dir. Yorgos LanthimosPortr

Attack on Titan ,Roppongi

wandasmaximova:You’ve become part of a bigger universe. You just don’t know it yet.THE MARVEL CINEMA

Charlie (Late Night)By: thejennire Check the Tags!!! [x]

Charlie (Late Night)By: thejennire Check the Tags!!! [x]

Late Night, 2019By: thejennire Check the Tags!!! [x]

Charlie (Late Night)By: thejennire Check the Tags!!! [x]

Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’

Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’

Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.

Cremaster 3 (2002) - Matthew Barney.

cinemawithoutpeople:Cinema without people (or vampires): What We Do in the Shadows (2014, Taika Wait

Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL

secondhandroses:Bette Davis sarcastically eating celery Satan Met a Lady (1936 ) & All About Eve

Kate Hansen in Excitação (Jean Garrett, 1977)

Gutland (Govinda Van Maele | 2017)

cinemawithoutpeople:Cinema without people: Beetlejuice (1988, Tim Burton, dir.)

Love Exposure (2008) dir. Sion Sono

Still Life (2006) - Jia Zhangke.

Raise The Red Lantern (1991), Zhang Yimou

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