Painters

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Sarah Flintzer (1862-1917), ‘Die Unschuld (Innocence)’, 19th century

Pierre-Paul Prud’hon (1758-1823), ‘Love Seduces Innocence, Pleasure Entraps, and Remorse Follo

The Childhood of St. Cecilia, 1883 by Marie Spartali Stillman (English, 1844-1927)

keirabisexual:Love’s Messenger (detail) , c. 1885. Marie Spartali Stillman

L’Enrôlement des Volontaires de 1792 = Enrollment ofthe Volunteers of 1792Thomas Couture (French; 18

Hans Temple: The Artist Munkácsy in his Studio, 1887.

Raphaël Kirchner (1876-1917), ‘Spring’, “Puck Magazine”, 1916Source

ucdeleeuw:Pink supremacySquare Cult Artists are the most important artists in this city and I will n

Frustration Attraction by Heidi Taillefer (2006)

Apollo Pursuing DaphneGiovanni Battista Tiepolo (Italian; 1696–1770)1755–60Oil on canvas National Ga

Venus and AdonisJohanZoffany (German; 1733–1810)1760Oil on canvasMusée des Beaux-Arts,Bordeaux, Fran

Milo of CrotonJoseph-Benoît Suvée (French, born Belgium; 1743–1807)1763 Oil on canvasGroeningemuseum

Philip Guston (American, born Canada; 1913–1980)Gladiators Oil and pencil on canvas, 1940 The Museum

William Merritt Chase (American; 1849–1916)Spring Flowers (Peonies)Pastel on paper, prepared with a

Follower of Anne-Louis Girodet de Roussy-Trioson (1767-1824). ‘Psyché’, Date Unknown

Hilda Hechle (1902-1938), ‘Come Buy from us with a Golden Curl’, 1914

The Race of the Riderless HorseThéodore Géricault (French; 1791–1824)1817Oil and pen and ink on pape

Benjamin Green (British; 1739–1798) after George Stubbs (British; 1724–1806)Phaeton Driving the Char

Missing Naples, 1895 by Anna Clémence Bertha Abraham Worms (French-born Brazilian, 1868–1937)

Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre

Etude d'un homme nu = Study of a Male NudeThéodore Géricault (French; 1791–1824)1816–18Oil on paperT

Phaeton Driving the Chariot of the SunBenjamin Green (British; 1739–1798) after George Stubbs (Briti

Apollo and AuroraGerard de Lairesse (Flemish; 1641–1711)1671Oil on canvasThe Metropolitan Museum of

Arthur Hughes (1832-1915), ‘Fancy’, (from Good Words, 1870),  from “English iIlust

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