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Portrait of Grand Duchess Anna Leopoldovna by an unknown Russian artist, c. 1740
Silver brocade, silk, gold lace; embroidery, weaving, gown worn by Empress Elizabeth of Russia, 1742
Portrait of a lady, three-quarter-length, in a black dress embellished with jewels and pearls, a lac
18th century style wedding dress in cloud pink regal dupion. This period style wedding gown consists
Portrait of Queen Charlotte (1744-1818) when Princess Sophie Charlotte of Mecklenburg-Strelitz,by Jo
Archduchesses Maria Amalia and Maria Antonia, future Marie Antoinette, by Martin van Meytens, possib
Wedding breakfast of Maria Theresa of Austria and Francis by Martin van Meytens, c. 1736Details from
Plates from Kellom Tomlinson’s dancing manual “The Art of Dancing Explained”, 1735
mode-dame:Mantua, c. 1740-1745 (embroidery), 1740-1745 (sewing), 1920s (altered)from the Victoria an
Caricature of three figures in a formal garden with terrace and fountain; two gentlemen to the left
Portrait of Sophie Magdalene, Queen of Denmark and Norway Attributed to Carl Gustav Pilo, c. 1740
“A Family Concert at Chateau Renescure” French School, c. mid 18th century
La Danse by François-Marie-Isidore Queverdo, 1772
Untitled illustration by Constantin Guys, c. mid 19th century; possibly 1860s
‘The Garter’ by Jean-François de Troy, 1724
Hoop skirts photographed by Napoleon Sarony, 1893
Portrait of a Lady with an ermine cloak by an artist of the French School, c. mid 18th century
“Maria Francisca Benedita, Princesa da Beira e do Brasil” Miguel António do Amaral, c.
artist-goya:María Luisa of Parma wearing panniers, 1789, Francisco GoyaMedium: oil,canvasTurn your p
delightfulcycles: (via Hot Bicycle Panniers — European Style)
black-is-no-colour:Assa Baradji wears looks by Givenchy, Celine, Isabel Marant, Kenzo, John Galliano
A Game of Croquet by Winslow Homer, 1866
Hoop skirts from the 1730sHoops return with a vengeance in the 18th century. The names ‘farthingale’
María Luisa of Parma, Queen of Spain by Zacarías González Velázquez, 1790s
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