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Salò, or the 120 Days of Sodom , Pier Paolo Pasolini , 1975.
Giorgio Agamben in Il Vangelo secondo Matteo (dir. Pier Paolo Pasolini, 1964)
Maria Callas on set of Medea di Pier Paolo Pasolini. www.thetoc.gr
derekjarman:Medea (Pier Paolo Pasolini, 1969)
cinemaphiles:Salò, or the 120 Days of Sodom (dir. Pier Paolo Pasolini, 1975)
inexistique:Pier Paolo Pasolini, Uccellacci e uccellini [The Hawks and the Sparrows] (1966)Bof! Bof!
Pier Paolo Pasolini in on the set of Arabian Nights, 1974
Arabian Nights, Pasolini
digitised-celluloid:Arabian Nights. Dir. Pier Paolo Pasolini. 1974
mothsilverwand:Medea (1969 dir. Pier Paolo Pasolini
The costume of Medea worn by Maria Callas in Pasolini’s Medea (1969).
theseoceanicdays:— Anna Pasolini, ‘Part I’ Bodies That Bleed: Metamorphosis in Ang
Teorema - Pier Paolo Pasolini
Federico Fellini & Pier Paolo Pasolini
Teorema (1968), dir. Pier Paolo Pasolini
Pier Paolo Pasolini, L’enigma di Pio XII, published in “Trasumanar e organizzar” (
Terence Stamp in Theroem (1968) again, because…well just look at him.
vivipiuomeno:Japanese Poster of Teorema by Pier Paolo Pasolini (Italy 1968)
deathandmysticism:Pier Paolo Pasolini, The Decameron, 1971
oblivion-soave: Pier Paolo Pasolini and Maria Callas kiss in the set of Medea, 1969.
caballerodelatristefigura: Maria Callas in Pasolini’s Medea (1969) Costume design by Piero Tos
sideshowstudio:Pier Paolo Pasolini, ‘Arabian Nights,’ 1974
iilluussoorr:Teorema (1968, dir. Pier Paolo Pasolini)
troyisnaked: PASOLINI A GO-GO by JOE LALLY
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