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BOHATEROWIE I ŁOTRZY “AVENGERS: AGE OF ULTRON” NA NOWYCH PLAKATACH/SZKICACH KONC
BOHATEROWIE I ŁOTRZY “AVENGERS: AGE OF ULTRON” NA NOWYCH PLAKATACH/SZKICACH KONC
hirnvomhimmel:Alle Plakate wurden gezeigt auf der “Ist ja ekelhAfD” Demo in Murnau am 08.09.2018Blüt
hirnvomhimmel:Alle Plakate wurden gezeigt auf der “Ist ja ekelhAfD” Demo in Murnau am 08.09.2018Blüt
Motobécane. ca. 1929. Geo Ham.46 ¾ x 31 in./118.7 x 78.7 cmGeo Ham had a need: a need for spe
Motobécane. ca. 1929. Geo Ham.46 ¾ x 31 in./118.7 x 78.7 cmGeo Ham had a need: a need for spe
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest film
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest film
ein-bleistift-und-radiergummi:Vintage Book Cover - Walter Schnackenberg ’Kostüme, Plakate und Dekora
ein-bleistift-und-radiergummi:Vintage Book Cover - Walter Schnackenberg ’Kostüme, Plakate und Dekora
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-haired
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-haired
Le Frou-Frou. 1900. Weiluc (Lucien-Henri Weil).44 1⁄8 x 61 5⁄8 in./112 x 156.5 cmOne of the greatest
Le Frou-Frou. 1900. Weiluc (Lucien-Henri Weil).44 1⁄8 x 61 5⁄8 in./112 x 156.5 cmOne of the greatest
American Crescent Cycles. 1899. Frederick Winthrop Ramsdell.42 ¾ x 62 7/8 in./108.6 x 159.8 c
American Crescent Cycles. 1899. Frederick Winthrop Ramsdell.42 ¾ x 62 7/8 in./108.6 x 159.8 c
Absinthe Robette. 1896. Privat Livemont.32 1/8 x 43 in./81.6 x 109.3 cmOne of the most iconic poster
Absinthe Robette. 1896. Privat Livemont.32 1/8 x 43 in./81.6 x 109.3 cmOne of the most iconic poster
garadinervi: Koichi Sato, Plakate aus Japan, Museum für Gestaltung Zürich, 1993 (via)
garadinervi: Koichi Sato, Plakate aus Japan, Museum für Gestaltung Zürich, 1993 (via)
clawmarks: Julius Gipkens - Plakate von Gipkens’ Liefern - 1911 - via Christies (edited)
clawmarks: Julius Gipkens - Plakate von Gipkens’ Liefern - 1911 - via Christies (edited)
Motobécane. ca. 1929. Geo Ham.46 ¾ x 31 in./118.7 x 78.7 cmGeo Ham had a need: a n
Motobécane. ca. 1929. Geo Ham.46 ¾ x 31 in./118.7 x 78.7 cmGeo Ham had a need: a n
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-ha
Philippossian Automobiles. 1920. Charles Loupot.50 ¾ x 35 3/8 in./128.8 x 90 cmA flame-ha
American Crescent Cycles. 1899. Frederick Winthrop Ramsdell.42 ¾ x 62 7/8 in./108.6 x 159
American Crescent Cycles. 1899. Frederick Winthrop Ramsdell.42 ¾ x 62 7/8 in./108.6 x 159
Velké Karlovice. 1946. Ladislav Horak.23 3/8 x 33 ¼ in./59.2 x 84.5 cmHardy, rusti
Velké Karlovice. 1946. Ladislav Horak.23 3/8 x 33 ¼ in./59.2 x 84.5 cmHardy, rusti
Fêtes D'Aviation. 1911. Goth.47 ¼ x 63 in./120 x 160 cmPractically the mirror image
Fêtes D'Aviation. 1911. Goth.47 ¼ x 63 in./120 x 160 cmPractically the mirror image
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest
Otl Aicher, München 1972, Plakate
Otl Aicher, München 1972, Plakate
Plakate für den Samstag.
Plakate für den Samstag.
plakatierenverboten:Kurt Vile and Courtney Barnett: “The Sea Lice Tour”
plakatierenverboten:Kurt Vile and Courtney Barnett: “The Sea Lice Tour”
Günther Kieser, poster for Braun HiFi, 1980. Braun AG, Germany. Photo: Degen. Via plakatkontor
Günther Kieser, poster for Braun HiFi, 1980. Braun AG, Germany. Photo: Degen. Via plakatkontor
Visit the USSR, french travel poster, 1958. For Intourist, Moscow. Anonymous. Via plakatkontor.
Visit the USSR, french travel poster, 1958. For Intourist, Moscow. Anonymous. Via plakatkontor.
Jacques Nathan Garamond, travel poster Air France, 1964. Via plakatkontor
Jacques Nathan Garamond, travel poster Air France, 1964. Via plakatkontor
Ettore Sottsass, design for Olivetti Tekne 3 typewriter, 1964. Italy. Via plakatkontor
Ettore Sottsass, design for Olivetti Tekne 3 typewriter, 1964. Italy. Via plakatkontor
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