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Victory, O Lord!, John Everett Millais, 1871

“Esther” by Sir John Everett Millais, 19th century

The Archangel Gabriel (Toks Adewetan), 2014 - Kehinde Wiley

The Return of Persephone, Frederic Leighton (Lord Leighton), 1891

Melancholia. The business of fashion often forgets that the people in the images, the models, are no

Welcome Footsteps by Sir Lawrence Alma-Tadema

Little Red Riding Hood by John Everett Millais

detailsofpaintings:Edmund Blair Leighton, Tristan and Isolde (detail)1902

Ophelia by Antoine Auguste Ernest Hebert.

Isabella and the Pot of Basil by John William Waterhouse, 1907

Isabella and the Pot of Basil by Edward Reginald Frampton, 1912

Isabella by John Melhuish Strudwick, 1886Piteous she look’d on dead and senseless things,Asking for

Isabella and the pot of Basil, George Henry Grenville Manton

Isabella and the Pot of Basil (replica) by William Holman Hunt

Massa, Bay of NaplesJohn Brett (British; 1830–1902)1864Oil on canvasIndianapolis Museum of Art, Indi

Landscape (Thoré Valley)John MacWhirter (Scottish; 1839–1911)undatedWatercolor, touched with bodycol

KynanceJohn Brett (British; 1831–1902)1888Oil on canvas The Metropolitan Museum of Art, New York

The Valley of Slaughter, Skye John MacWhirter (Scottish; 1839–1911)1876Oil on canvasMontreal Museum

The Flower Picker (sketch) by John William Waterhouse, circa 1900.

mushi-and-junior:art movement moodboards: Pre-Raphaelite (requested by anonymous)the members of the

The Highland Lassie, John Everett Millais, 1854

Knights and Ladies.Pen and indian ink on vellum.25 x 17 cm. (9.84 x 6.69 in.)Art by Jessie M. King.(

Study of two male nudes for ‘Arthur in Avalon’. Edward Coley Burne-Jones (1833-1898). 

La Walkyrie en sentinelle by Edward Robert Hughes

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