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Art Deco EndpaperLucien Chapuis (French; fl. 1920s)1925Pochoir print In: Jean Saudé, Traité d'enlumi
Hong Yuzi = Calm Snowy World, White SkyWang Anjie (Chinese; fl. 1677–1705)1753Color woodcutIn: Jiezi
Cerfs = DeerMaurice Pillard Verneuil (French; 1869–1942)1897ChromolithographPlate 37 in: L'animal da
December 1896Artist: F. Schuyler Mathews (American; 1854–1938)ChromolithographPage from a calendar p
Hirtenknabe am blumigen Ufer = Shepherd Boy on Flowery BanksHans Thoma (German; 1839–1924)1897Lithog
Brighton PierEdward Bawden (British; 1903–1989)1958Linocut on paperTrustees of the Cecil Higgins Art
CalmJoseph Mallord William Turner (British; 1775–1851)April 23, 1812Ink on paper, mezzotint over etc
William Hogarth, Gin Lane, 1751, etching and engraving; third state of three, 389 x 322 mm, New York
The Continence of ScipioRichardEarlom (British; 1743–1822) after Nicolas Poussin (French; 1594–1665)
William Hogarth, Before, c.1730–1, 39 x 34 cm, Los Angeles, The J. Paul Getty Museum, digital image
William Hogarth, The Bench, 1758, etching and engraving; fifth state of five, 324 x 217 mm, New York
William Hogarth, A Midnight Modern Conversation, c.1732, 76 x 164 cm, New Haven, Yale Center for Bri
A SoldierElisha Kirkall (British; ca. 1682–1742) after Louis Chéron (French; 1660–1725)1722Mezzotint
The ShoreAllen William Seaby (British; 1867–1953)Color woodcut, ca. 1900–8Victoria and Albert Museum
Job’s Evil DreamsWilliam Blake (British; 1757–1827)1805–10Pen and black ink, gray wash, and wa
Modern Grace, or the Operatical Finale to the Ballet of Alonzo e CaroJames Gillray (British; 1756–18
Cornell Crew TeamEdward Penfield (American; 1866–1925)1907Color lithographPrinted by: Charles W. Bec
The Resurrection of ChristCharles Howard Hodges (British; 1764–1837) after Peter Paul Rubens (Flemis
The Voyage of Saint UrsulaWorkshop of the Master of the Housebook (active ca. 1470–1500)Augsburg, ca
TancrèdeEngraved by Franz Ertinger (German; 1640–ca. 1710) after Jean Bérain the Younger (French; 16
Adolph GottliebUntitled1973Monotype in ink on paper 16 x 12” “A Painter’s Hand: The Monotypes of Ado
Watch Sanford Hirsch, Executive Director of the Gottlieb Foundation, read from the archive Gottlieb’
“…The jobs in which I did not work in painting, I worked in stained glass and in tapestry. And
The Signers of the Declaration ofIndependence, July 4th, 1776“TheDeclaration of Independence of the
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