Renaissance
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inividia:Giuliano de’ Medici c. 1478-1480, Sandro Botticelli
inividia:Giuliano de’ Medici c. 1478-1480, Sandro Botticelli
Jörg Wilhalm, Fechtbuch, Fencing book, 1520. Including blood & deathblow. Ink drawing. Oettingen
Jörg Wilhalm, Fechtbuch, Fencing book, 1520. Including blood & deathblow. Ink drawing. Oettingen
bara-theon:made my costume for the Renaissance Faire this year loosely based on this ICONIC painting
bara-theon:made my costume for the Renaissance Faire this year loosely based on this ICONIC painting
Rogier van der Weyden (Flemish)Crucifixion diptych1455-60Oil on panelImage from Wikipedia.
Rogier van der Weyden (Flemish)Crucifixion diptych1455-60Oil on panelImage from Wikipedia.
kayivy:Unknown Artist, c. 1515. Portraits of Young Men. Private Collection.vaguely renaissance(ish)
kayivy:Unknown Artist, c. 1515. Portraits of Young Men. Private Collection.vaguely renaissance(ish)
renaissance history dreamcast → paapa essiedu as dante alighieri“And my life seems to stop as though
renaissance history dreamcast → paapa essiedu as dante alighieri“And my life seems to stop as though
The Dying Slave by MichelangeloLouvre Museum, ParisSculpture | Museums
The Dying Slave by MichelangeloLouvre Museum, ParisSculpture | Museums
Aaron Douglas, Mural, aspects of negro life from slavery through reconstruction, 1934
Aaron Douglas, Mural, aspects of negro life from slavery through reconstruction, 1934
Piedad con San Juan Evangelista y María Magdalena por Cigoli, 1599-1600.
Piedad con San Juan Evangelista y María Magdalena por Cigoli, 1599-1600.
Pseudo Jan Wellens de Cock, Calvary (detail), 1520. Oil on panel, 172.5 × w 119cm. Rijksmuseum, Amst
Pseudo Jan Wellens de Cock, Calvary (detail), 1520. Oil on panel, 172.5 × w 119cm. Rijksmuseum, Amst
The bronze giant sculpted by Bartolomeo Ammannati (1511-1592) between 1563 and 1565, for the park of
The bronze giant sculpted by Bartolomeo Ammannati (1511-1592) between 1563 and 1565, for the park of
David, c. 1501-04. Michelangelo
David, c. 1501-04. Michelangelo
I’m 50/50 that there’s a mixup with naming here. Either way, I love that these are repre
I’m 50/50 that there’s a mixup with naming here. Either way, I love that these are repre
A seventeenth-century pomander and chain, of spherical form on pierced domed foot chased to imitate
A seventeenth-century pomander and chain, of spherical form on pierced domed foot chased to imitate
lamus-dworski:Legend about the Renaissance alchemist Michał Sędziwój (Sendivogius Polonus) illustrat
lamus-dworski:Legend about the Renaissance alchemist Michał Sędziwój (Sendivogius Polonus) illustrat
Scenes from the Story of the Argonauts Biagio d'Antonio and Jacopo da Sellaio, c. 1465
Scenes from the Story of the Argonauts Biagio d'Antonio and Jacopo da Sellaio, c. 1465
The Mystic Marriage of St. Catherine of Siena, Giovanni di Paolo, ca. 1460
The Mystic Marriage of St. Catherine of Siena, Giovanni di Paolo, ca. 1460
sebastienblommephotography:Renaissance
sebastienblommephotography:Renaissance
Renaissance Hunting RingSpanish, ca. 1500–1600GoldMET
Renaissance Hunting RingSpanish, ca. 1500–1600GoldMET
Dirk Bouts, Christ in the house of Simon, c.1460
Dirk Bouts, Christ in the house of Simon, c.1460
sartorialadventure:Renaissance hair styles by the Bayerische Theaterakademie
sartorialadventure:Renaissance hair styles by the Bayerische Theaterakademie
Pope Celestine III granting the privilege of autonomy to the Hospital by Domenico di Bartolo, 1441-4
Pope Celestine III granting the privilege of autonomy to the Hospital by Domenico di Bartolo, 1441-4
Vanessa Bell, The Tub, 1917.  
Vanessa Bell, The Tub, 1917.  
weloveperioddrama:hairstyles in historyItalian Renaissance (15th and 16th centuries)
weloveperioddrama:hairstyles in historyItalian Renaissance (15th and 16th centuries)
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