Rococo Painting
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Dawn (Design for a Ceiling Painting)Jacob de Wit (Dutch; 1695–1754)18th centuryDrawing in gray pen a
Dawn (Design for a Ceiling Painting)Jacob de Wit (Dutch; 1695–1754)18th centuryDrawing in gray pen a
Detail from The Judgment of Paris by Etienne Jeaurat (18th century) 
Detail from The Judgment of Paris by Etienne Jeaurat (18th century) 
The Love Song, Antoine Watteau, ca. 1717Happy Valentine’s Day!
The Love Song, Antoine Watteau, ca. 1717Happy Valentine’s Day!
Details from Il Tempo Fermato dalla Virtù (Time Is Stopped by the Glory of the Arts) by Antonio Bell
Details from Il Tempo Fermato dalla Virtù (Time Is Stopped by the Glory of the Arts) by Antonio Bell
laclefdescoeurs:Church Interior with Woman at Prayer, before a Rococo Iron Grille, 1852-1855, Adolph
laclefdescoeurs:Church Interior with Woman at Prayer, before a Rococo Iron Grille, 1852-1855, Adolph
artmagnifique:FRANCOIS BOUCHER. The Enchanted Home A Pastoral Landscape Surmounted by Cupid, 18th ce
artmagnifique:FRANCOIS BOUCHER. The Enchanted Home A Pastoral Landscape Surmounted by Cupid, 18th ce
Nicolas de Largillière (1656-1746):Portrait of a woman with a macaw. Early 18th century.
Nicolas de Largillière (1656-1746):Portrait of a woman with a macaw. Early 18th century.
Diana at Her Bath, Jean-Antoine Watteau, 1715-16
Diana at Her Bath, Jean-Antoine Watteau, 1715-16
Pièces de clavecin : Suite en ré mineur - majeur : I. Rondeau, « Les tendre plaintes » – Jean-Philip
Pièces de clavecin : Suite en ré mineur - majeur : I. Rondeau, « Les tendre plaintes » – Jean-Philip
Concerto pour piano n.° 4 en sol majeur, K. 41 : II. Andante — Wolfgang Amadeus MozartDétail de « Pr
Concerto pour piano n.° 4 en sol majeur, K. 41 : II. Andante — Wolfgang Amadeus MozartDétail de « Pr
L'Offrande du bouquet (The Offering of the Bouquet)Jean-Frédéric Schall
L'Offrande du bouquet (The Offering of the Bouquet)Jean-Frédéric Schall
Aria et 6 variations en sol mineur, P. 196 : II. Variation 1 – Johann PachelbelDétail de « Mrs. Grac
Aria et 6 variations en sol mineur, P. 196 : II. Variation 1 – Johann PachelbelDétail de « Mrs. Grac
The Triumph of Aurelian (aka Queen Zenobia before Emperor Aurelian), Giovanni Battista Tiepolo, 1st
The Triumph of Aurelian (aka Queen Zenobia before Emperor Aurelian), Giovanni Battista Tiepolo, 1st
Latinus Offering His Daughter Lavinia to Aeneas in Marriage, Giovanni Battista Tiepolo, 1753-54
Latinus Offering His Daughter Lavinia to Aeneas in Marriage, Giovanni Battista Tiepolo, 1753-54
The Shepherdess, Jean-Honoré Fragonard, ca. 1750-52
The Shepherdess, Jean-Honoré Fragonard, ca. 1750-52
The Argument between Achilles and Agamemnon, Giovanni Battista Gaulli (Il Baciccio), ca. 1695
The Argument between Achilles and Agamemnon, Giovanni Battista Gaulli (Il Baciccio), ca. 1695
Il Tempo Fermato dalla Virtù (Time Is Stopped by the Glory of the Arts) by Antonio BellucciItalian,
Il Tempo Fermato dalla Virtù (Time Is Stopped by the Glory of the Arts) by Antonio BellucciItalian,
The Nymph Callisto Seduced by Jupiter in the Guise of Diana, François Boucher, 1759
The Nymph Callisto Seduced by Jupiter in the Guise of Diana, François Boucher, 1759
Jean-Marc Nattier (1685-1766):Portrait of Fernando de Silva y Álvarez de Toledo, 12th Duke of Alba a
Jean-Marc Nattier (1685-1766):Portrait of Fernando de Silva y Álvarez de Toledo, 12th Duke of Alba a
Diana at Her Bath, Jean-Antoine Watteau, 1715-16
Diana at Her Bath, Jean-Antoine Watteau, 1715-16
Flora by Rosalba Carriera Italian, 1730pastel on paperUffizi Gallery 
Flora by Rosalba Carriera Italian, 1730pastel on paperUffizi Gallery 
Bacchante with a Tambourine, or  Allegory of Music by Rosalba CarrieraItalian, 1712oil on canvasBava
Bacchante with a Tambourine, or  Allegory of Music by Rosalba CarrieraItalian, 1712oil on canvasBava
The Rest of Diana and The Abduction of Proserpine, after Charles de la Fosseoil on canvasprivate col
The Rest of Diana and The Abduction of Proserpine, after Charles de la Fosseoil on canvasprivate col
Clara the Rhinoceros, Jean-Baptiste Oudry, 1749
Clara the Rhinoceros, Jean-Baptiste Oudry, 1749
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