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Satan Calls on Beelzebub in Hellfire (from Milton’s Paradise Lost), Henry Fuseli (Johann Heinrich Fü
Satan Calls on Beelzebub in Hellfire (from Milton’s Paradise Lost), Henry Fuseli (Johann Heinrich Fü
Milton Dictating to His Daughter, Henry Fuseli, 1794
Milton Dictating to His Daughter, Henry Fuseli, 1794
The Clove Catskills, Thomas Cole, 1827
The Clove Catskills, Thomas Cole, 1827
The Naiad or Hylas and the Nymph by John William Waterhouse1893oil on canvasprivate collection
The Naiad or Hylas and the Nymph by John William Waterhouse1893oil on canvasprivate collection
artist-rossetti:Joan of Arc, 1882, Dante Gabriel Rossetti
artist-rossetti:Joan of Arc, 1882, Dante Gabriel Rossetti
artist-rossetti:How They Met Themselves, 1864, Dante Gabriel RossettiMedium: indianink,penhttps://ww
artist-rossetti:How They Met Themselves, 1864, Dante Gabriel RossettiMedium: indianink,penhttps://ww
artist-rossetti:Venus Verticordia, 1868, Dante Gabriel RossettiMedium: oil,canvashttps://www.wikiart
artist-rossetti:Venus Verticordia, 1868, Dante Gabriel RossettiMedium: oil,canvashttps://www.wikiart
Evening on the Baltic Sea, 1830 - by Caspar David Friedrich.
Evening on the Baltic Sea, 1830 - by Caspar David Friedrich.
Whitby Abbey, North Yorkshire
Whitby Abbey, North Yorkshire
Hecate (The Night of Enitharmon’s Joy), William Blake, 1795
Hecate (The Night of Enitharmon’s Joy), William Blake, 1795
Andromeda Being Chained by the Nereids, Théodore Chassériau, 1840  
Andromeda Being Chained by the Nereids, Théodore Chassériau, 1840  
Pierre-Paul Prud’hon (1758-1823), ‘Love Seduces Innocence, Pleasure Entraps, and Remorse Follo
Pierre-Paul Prud’hon (1758-1823), ‘Love Seduces Innocence, Pleasure Entraps, and Remorse Follo
L’Enrôlement des Volontaires de 1792 = Enrollment ofthe Volunteers of 1792Thomas Couture (French; 18
L’Enrôlement des Volontaires de 1792 = Enrollment ofthe Volunteers of 1792Thomas Couture (French; 18
gothpaisley:Francisco Goya, Courtyard with Lunatics,1793–94. Oil on canvas, 17¹/₄” × 12⁷/₈”.
gothpaisley:Francisco Goya, Courtyard with Lunatics,1793–94. Oil on canvas, 17¹/₄” × 12⁷/₈”.
Instagram: pagesofelysian
Instagram: pagesofelysian
Petworth Park, Tillington Church in the Distance, Joseph Mallord William Turner, ca. 1828
Petworth Park, Tillington Church in the Distance, Joseph Mallord William Turner, ca. 1828
(King John at the) Battle of Poitiers, Eugène Delacroix, 1830
(King John at the) Battle of Poitiers, Eugène Delacroix, 1830
The Race of the Riderless HorseThéodore Géricault (French; 1791–1824)1817Oil and pen and ink on pape
The Race of the Riderless HorseThéodore Géricault (French; 1791–1824)1817Oil and pen and ink on pape
Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre
Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre
cursedspite:from Mary Shelley’s journal, February 25, 1822
cursedspite:from Mary Shelley’s journal, February 25, 1822
Etude d'un homme nu = Study of a Male NudeThéodore Géricault (French; 1791–1824)1816–18Oil on paperT
Etude d'un homme nu = Study of a Male NudeThéodore Géricault (French; 1791–1824)1816–18Oil on paperT
Karl Friedrich LessingKnight’s Castlec.1828
Karl Friedrich LessingKnight’s Castlec.1828
Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre
Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre
The Comfort of the Fog,signed W.Kotarbinsky.( lower right).101 x 199 cm.Private collection.Art by Va
The Comfort of the Fog,signed W.Kotarbinsky.( lower right).101 x 199 cm.Private collection.Art by Va
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