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Design for stained glass, late 19th century, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSi
Cows and Horsemen Cross a Bridge Over a Canal, ca. 1650, Smithsonian: Cooper Hewitt, Smithsonian Des
Still-life, Edna W. Heese, 1911, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: H x W: 2
Console table, ca. 1775, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: Image: 20.1 x 27
Elevation of a church, 1746-1809, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 20 x 27
Scene of the Moat, Ando Hiroshige, 1797-1858, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumM
Scene From the Novel, “Der Glückliche,” by Varga, 1792, Smithsonian: Cooper
The Country Dance, 1637, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumMedium: Engraving on p
Design for Pendant with Laurel Branches, 16th century, Smithsonian: Cooper Hewitt, Smithsonian Desig
Design for Massive Library Table with Two Stretcher Shelves, 1900–05, Smithsonian: Cooper Hewi
Woman, Robert Frederick Blum, 1880, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSize: 17.5
Two Friezes with Women and Sea Monsters, ca. 1820, Smithsonian: Cooper Hewitt, Smithsonian Design Mu
St. Aloysius Gonzaga is received in Heaven by the Christ Child, 1770–1790, Smithsonian: Cooper
Stained glass: hall window, 1890–1900, Smithsonian: Cooper Hewitt, Smithsonian Design MuseumSi
Quakers Meeting, from “Ackermann’s Repository”, 1809, Smithsonian: Coo
1880-1884. “6. Photocopy of photograph (from the collection of the Smithsonian Institution
artist-church: Sunset Near Bar Harbor, Maine, Frederic Edwin Church, ca. 1862, Smithsonian: Cooper H
smithsonianmag: Photo of the Day: Shadow Dancer - Native American Dancing Photo by: Phyllis Westlan
How Fast Can Gibbons Swing Through the Forest?, Smithsonian Channel
Why Gibbons Can’t Survive on a Diet of Green Leaves Alone, Smithsonian Channel
in this Jan/Feb 2016 issue of the Smithsonian Mag a super fun piece I’ve been recently wo
At the Smithsonian Gardens in Washington, DC Poses: Amanda DuncanPhotography: Adrian Humme
suprchnk: this belongs in the smithsonian
Inspired by new Art
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