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The Dentist, Gerard (Gerrit) van Honthorst, 1622

The Inspiration of St. Matthew, Caravaggio, 1602

The Crucifixion of St. Andrew, Caravaggio, 1606

The Return of the Prodigal Son, unknown Italian (Neapolitan) artist, ca. 1630s

Matthias Storm - “The Incredulity of St. Thomas”

irlkaijugroupie:Image Description: A textured digital painting in low tenebrism, of humanized Hollow

artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi

Pietà (detail, 1633) José de Ribera

Copy of Jusepe de Ribera or Jose de Ribera, also called Lo Spagnoleto (Xativa, Spain 1591 - 1652 Nap

artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-

artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-

artemisia-gentileschi-art: Lucretia, 1642, Artemisia Gentileschi

artemisia-gentileschi-art: Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-

artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi

Valentin de Boulogne - Judith with the head of Holofernes (1626)

Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L

Judith Slaying Holofernes by Gentileschi Aren’t Baroque feminists fun?

magictransistor: Manuel Álvarez Bravo. Portrait of the Eternal. 1935.

artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi

Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L

Jusepe de Ribera, Mary Magdalene, 1641.  

Lucretia, 1620, Artemisia Gentileschi

Judith and her Maidservant, 1613, Artemisia GentileschiMedium: oil,canvas

Cleopatra, 1620, Artemisia Gentileschi

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