Tenebri

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Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L

Judith Slaying Holofernes by Gentileschi Aren’t Baroque feminists fun?

magictransistor: Manuel Álvarez Bravo. Portrait of the Eternal. 1935.

artemisia-gentileschi-art: Lucretia, 1620, Artemisia Gentileschi

Philippe de Champaigne (Brussels 1602 - 1674 Paris), The Dead Christ, before 1654. Musée du L

Jusepe de Ribera, Mary Magdalene, 1641.  

Lucretia, 1620, Artemisia Gentileschi

Judith and her Maidservant, 1613, Artemisia GentileschiMedium: oil,canvas

Cleopatra, 1620, Artemisia Gentileschi

Minerva, 1640, Artemisia Gentileschiwww.wikiart.org/en/artemisia-gentileschi/minerva-1640

Judith Beheading Holofernes, 1620, Artemisia GentileschiMedium: oil,canvas

Lucretia, 1642, Artemisia Gentileschi

detail art. maria maddalena in meditazione, giuseppe ribera

Castellum TenebrisThe Seat of House Danarius

commie-cosmo:trickstertime:tenebristpunk:wow i wonder if that 300 year gap could be explained by any

commie-cosmo:trickstertime:tenebristpunk:wow i wonder if that 300 year gap could be explained by any

mmoozzee: commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be ex

tenebristpunk:hostas

commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be explained by

commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be explained by

commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be explained by

commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be explained by

commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be explained by

27bobs: commie-cosmo: trickstertime: tenebristpunk: wow i wonder if that 300 year gap could be expl

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