Theatre Au

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LIVE

bellucci-bella:Monica Bellucci at the Marigny theatre for Tom Volf’s “Lettres et Mémoire”, November

nightnightsweetprince:Sarah Bernhardt will forever be my biggest celebrity crush. She was a French J

Al Hirschfeld Theatre - 8/3/2017Photos by theabsentmintleaf, kaelicrews, BlaykeHill, DanielleWGAL, a

Ekaterina Krysanova, Dmitri Gudanov and others in Bolshoi’s The NutcrackerPhoto by Ekaterina Vladimi

Theatre at the ancient sanctuary of hero Amphiaraos (Attica, Greece)   Archaeological site:Amphiarei

Sidney Poitier, who turns 94 in 2 weeks, in front of the Apollo Theatre, NYC 1959

fripperiesandfobs:Costume designed by Jean-Pierre Vergier for Barbara Hendricks in the Paris Opera’s

pattroughtoninplacesheshouldntbe:Paul McGann as Menelaus in “Helen”, at the Globe Theatre in 2009.Me

dezeen:West Kowloon Bamboo Theatre by William Lim

Mr. C. Hill as Sir Rupert the fear nought, [ca. 1840]MS Thr 942Harvard Theatre, Houghton Library, Ha

seancecafe:Jeremy Brett as Count Dracula, in the 1978 production of Dracula, at the Shubert Theater,

Ekaterina Krysanova and Vladislav Lantratov in Bolshoi’s The Golden AgePhoto by Batyr Annadurdyev

During the holiday season, kids are often gifted with toys. Here we feature a vintage theater, stere

Ekaterina Krysanova after Bolshoi’s GisellePhoto by Gabriel Ramirez de Aguilar

Murs et arches, Théâtre romain, Orange, Vaucluse, 2016.

artemisdreaming:Wagner’s “Parsifal,” director François Girard, Metropolitan Opera. Images: Ken Howar

thelingerieaddict:haruchonns:Current fascination: Pieni Merenneito//Finnish National BalletComposed

99percentinvisible:Klaus Frahm: The Fourth Wall

An okubi-e (bust portrait) of the actor Arashi Koroku IV by Yoshikuni (fl. 1813 -1832)

archaicwonder:Aspendos Theatre was built in 155 by the Greek architect Zenon, a native of the city,

Ekaterina Krysanova and Vladislav Lantratov in Don Quixote at the Tbilisi Theatre of Opera and Balle

fyeahgothicromance:ultrafacts:dontgetyourhopestoohigh:hazelbeewitched:ultrafacts:(Source)For more po

Trying to belt a higher note than you’re used to

gnossienne:La clemenza di Tito (L.A. Opera, 2019)

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