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tomdestry:Cary Grant in The Eagle and the Hawk (1933)
tomdestry: Laura (1944) dir. Otto Preminger
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry:Harold Lloyd in Just Neighbors (1919)
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry:The remarkable Jekyll-to-Hyde transition scenes in this film were accomplished by manipula
tomdestry: Laura (1944) dir. Otto Preminger
tomdestry: Design for Living (1933) dir. Ernst Lubitsch
tomdestry:It was worth it to be near you.The Cameraman (1928) dir. Buster Keaton & Edward Se
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Jean Arthur in Mr. Smith Goes to Washington (1939)Costume design by Robert Kalloch
tomdestry:It was worth it to be near you.The Cameraman (1928) dir. Buster Keaton & Edward Se
tomdestry: The Invisible Man (1933) dir. James Whale
tomdestry:The Invisible Man (1933) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: To die, to be really dead, that must be glorious! Dracula (1931) dir. Tod Browning &a
tomdestry:The Philadelphia Story (1940) dir. George Cukor
tomdestry: Norma Shearer in Lady of the Night (1925)
tomdestry: They’ve committed a murder. And it’s not like taking a trolley ride together
tomdestry: The Cameraman (1928) dir. Buster Keaton & Edward Sedgwick
talesfromthecrypts:Character Emoji Association Challenge@tomdestry asked ⚗️ → 
tomdestry: Norma Shearer in Lady of the Night (1925)
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