Typog
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strange encounter instagram
strange encounter instagram
maybe i wanna see the sun shine, looking for a perfect reason to breathe dernièrement, il y a
maybe i wanna see the sun shine, looking for a perfect reason to breathe dernièrement, il y a
garadinervi:Exhibition Announcement for Graphicteam,1967 (viaHerb Lubalin Study Center) 
garadinervi:Exhibition Announcement for Graphicteam,1967 (viaHerb Lubalin Study Center) 
designer-yujunyao:‘T.M.W’ brand posters design series-1, and do experiment with layout,
designer-yujunyao:‘T.M.W’ brand posters design series-1, and do experiment with layout,
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Franco Grignani, artwork for Vitamine A ad, 1952. Dompé Farmaceutici, Italy. Via aiap.it
Franco Grignani, artwork for Vitamine A ad, 1952. Dompé Farmaceutici, Italy. Via aiap.it
“Materia”poèmes par Rodolphe Gauthier // gravures par Yann Legrandwwww.editions.solstices-project.co
“Materia”poèmes par Rodolphe Gauthier // gravures par Yann Legrandwwww.editions.solstices-project.co
ABC & lead specimen by Ampersanden on Flickr.
ABC & lead specimen by Ampersanden on Flickr.
Julius Klinger, poster for Admiral’s Palace, 1911. Berlin. © Kunstbibliothek der Staatlichen M
Julius Klinger, poster for Admiral’s Palace, 1911. Berlin. © Kunstbibliothek der Staatlichen M
D. Stempel AG, Helvetica booklet, no date. Printed in Germany for circulation via Burbank, Californi
D. Stempel AG, Helvetica booklet, no date. Printed in Germany for circulation via Burbank, Californi
Paul Renner, Futura Specimen Booklet, 1930s. Bauer Type Foundry, Inc. Via Lubalin Study Center
Paul Renner, Futura Specimen Booklet, 1930s. Bauer Type Foundry, Inc. Via Lubalin Study Center
Futura Specimen Booklet, 1930s. From Bauer Alphabets Inc., USA. Via Herb Lubalin Study Center
Futura Specimen Booklet, 1930s. From Bauer Alphabets Inc., USA. Via Herb Lubalin Study Center
typographie:via
typographie:via
Eames Office, ephemera: a Herman Miller showroom open house pass and invitation, 1966 
Eames Office, ephemera: a Herman Miller showroom open house pass and invitation, 1966 
typographie:Branding, graphic and communication code for a catalan wines promotion project for the d
typographie:Branding, graphic and communication code for a catalan wines promotion project for the d
“Bravery is being the only one who knows you are afraid.” - Franklin P. Jones
“Bravery is being the only one who knows you are afraid.” - Franklin P. Jones
on a weekend in december 2014 i visited beautiful cologne and the esl tv studios where i designed th
on a weekend in december 2014 i visited beautiful cologne and the esl tv studios where i designed th
(via thisivyhouse, typographie)
(via thisivyhouse, typographie)
Collage nº 412. Corps. Haut-parleurs. Écriture. 
Collage nº 412. Corps. Haut-parleurs. Écriture. 
Cover of Typographische Monatsblätter, 1964. Photogram: Roger Humbert, AD: Felix Berman. S
Cover of Typographische Monatsblätter, 1964. Photogram: Roger Humbert, AD: Felix Berman. S
Catalogue of architectural Ironwork, 1928. Design: Raymond Subes. E. Borderel & Robert, Pari
Catalogue of architectural Ironwork, 1928. Design: Raymond Subes. E. Borderel & Robert, Pari
Sam Cooperstein, postcard, 1964. Invitation of The American Institute of Graphic Arts. It featu
Sam Cooperstein, postcard, 1964. Invitation of The American Institute of Graphic Arts. It featu
Eric Gill, Detail of drawing for an unreleased typeface, 1935. @ Monotype. Via printmag
Eric Gill, Detail of drawing for an unreleased typeface, 1935. @ Monotype. Via printmag
typographie:Contains list of season’s repertory; drawings by Léon Bakst and Pablo Picas
typographie:Contains list of season’s repertory; drawings by Léon Bakst and Pablo Picas
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