Typograp

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cherries reactschainethevoidishungrysasami kawaioutoftheash

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Paul Eluard, “Being”, Selected Poems (trans. Gilbert Bowen) [Text ID: “Your intricate light handsBor

Playbill for the world premiere of Turandot, La Scala Milan, 1926. Conducted by Arturo Toscanini. Ja

New personal branding! Rolling this out across my socials and portfolio today.

Briggs & Co. Refined typography and beautiful illustration used for brand design of a homemade j

lilliacae:one of my favorite lines.

ashley - halsey

neoyorzapoteca:cassandragillig:from “New Year’s Day” by Audre Lordeso be it

Antonio Porchia, Voices (trans. W.S. Merwin)

Film titles: D.W. Griffith Intolerance, 1916. F.W. Murnau, Nosferatu, 1922. Alfred Hitchcock, The Lo

Vladimir Nabokov, letter to his wife Véra (1926), Letters to Véra (ed. Brian Boyd & trans. Olga

Thomas Kurppa / Dislocation — M2 Monoclinic / Typography / 2021

Forma / Abano / Numericals / Typography / 2015

sofia9as:Words are powerful indeed. A little bit of aesthetic Hamilton awesomeness (Part I) 

Let’s Hope It Does!• ❤️‍ on the Tuesday Evening ☕️ Coffee HuntDog Walk ☺️ to Pick Up My Slimmed Down

Anne Sexton, from A Self-portrait in Letters

Virginia Woolf ― The Waves

Mary Oliver, from “After Reading Lucretius, I Go To The Pond”, Blue Horses: Poems (2014)

Anaïs Nin, from “The Diary of Anaïs Nin, 1955–1966”

Frank O'Hara, from “Mayakovsky”, Meditations in an Emergency (1957)

Mary Oliver, from “I Don’t Want To Be Demure Or Respectable”, Blue Horses: Poems (2014)

WWF Japan made adorable Panda Font to raise awareness with Ogilvy & Mather

Gone Away

betype:Anamorphic Typography by Joseph Egan

Ilya Kaminsky, “A City Like a Guillotine Shivers on Its Way to the Neck”, Deaf Republic[Text ID: “At

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