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Working on a #thankyou card i can include with orders and commissions - the original is shiny of cou
Pedro Salinas, ‘Vocation’, Seguro Azar / Certain Chance: Poems (versions trans. David Lee Garrison)
At a time when computers dominate the industry of sign painting, Stephen Powers and his Icy Signs pr
Samuel Beckett, ‘Krapp’s Last Tape’, Krapp’s Last Tape and Other Dramatic Pieces[Text ID: “With all
Mesquite, are you EVEN TRYING???image | twitter | facebook
I don’t ask for much.image | twitter | facebook
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
D.H. Lawrence, The Rainbow[Text ID: “They were all in prison, they were all going mad.”]
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
Carol Ann Duffy, The World’s Wife
coffee life ☕️
Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL
E.E. Cummings, “out of the mountain of his soul comes”, from XAIPE (#19), The Complete Poems, 1904-1
Are you ready for some football? cait.art.design
William Ludlow, Italic Typography, 1927. Shown is Aldus Pius Manutius. Ludlow Typography Company. US
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Attila József, “Ode” (trans. Gábor G. Gyukics and Michael Castro)[Text ID: “Your taste, like silence
no-tribble-at-all:So I have a dorky typography app on my phone and I made these while listening to N
violentwavesofemotion:Novalis, tr. by Mabel Cotterell, from Selected Writings; “Hymns To The Night,”
knife typography by Farhad Moshiri
Moikom Zeqo, ‘An Explication of the Word Loneliness’, I Don’t Believe in Ghosts: Poems from ‘Meduza’
Mona Sa’udi, from Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Women (ed. &a
Mona Sa’udi, from ‘The city trembles beneath the dawn’, Women of the Fertile Crescent: An Anthology
Lettering by @kennycoilFollow us on Instagram: @betype
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