Typograph

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shackledandbound82ariel khadrxkit guypak baerealtreetrunk

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LIVE

Vladimir Nabokov, in a letter to his wife Véra (1924), Letters to Véra (ed. Brian Boyd & trans.

Lady Bird (2017), written and directed by Greta Gerwig

michellewilliamss:Fyodor Dostoyevsky, White Nights

Marcello Morandini Alphabet for Rosenthal, Germany, 1980s. Postmodern typface. Nice german copywriti

Octavio Paz, ‘With Eyes Closed’, A Tale of Two Gardens

Calligraphic inspiration of the day on Flickr.

finita–la–commedia:– Faiz Ahmed Faiz (1911-1984), “Stanza” in “Poems by Faiz”, translated from the U

from I Am the Beggar of the World: Landays from Contemporary Afghanistan (trans. Eliza Griswold)[Tex

Etel Adnan, from ‘Five Senses for One Death’, Women of the Fertile Crescent: An Anthology of Modern

Sylvia Plath, ‘Purdah’[Text ID: “My visibilities hide.I gleam like a mirror.”]

Walt Whitman, “Old Ireland”, Complete Poems[Text ID: “Of all the earth her heart most full of sorrow

Samar Attar, from ‘The Bride’,Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab W

6thlovelanguage:Our Experience of Grief is Unique as a Fingerprint

4400lux:Louise Glück, from “An Endless Story”[ID: Look at us, she said. We are all of us in this roo

Aisha Arna’out, ‘He put on his shirt carried his umbrella’, Women of the Fertile Crescent: An Anthol

weltenwellen:Margaret Atwood, from “Their Attitudes Differ”, Selected Poems: 1965-1975

Paolo Giordano, The Solitude of Prime Numbers

Etel Adnan, from ‘Love Poems’, Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab

adalimons:Louise Glück, “The Garden.”

gnossienne:Louise Glück, “October”

Etel Adnan, from ‘Love Poems’, Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab

Mona Sa’udi, from Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Women (ed. &a

Mona Sa’udi, from Women of the Fertile Crescent: An Anthology of Modern Poetry by Arab Women (ed. &a

sideeffectsinclude:Lullaby, Louise Glück

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