Typography

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LIVE

Futura Specimen Booklet, 1930s. From Bauer Alphabets Inc., USA. Via Herb Lubalin Study Center

Identity design and art direction for Bullet Club.David Sanden

Steinbeck by The Temporary State

quotingliterature-blog:Virginia Woolf, Night and Day

Pavillion des Tabacs. 1931. P. Bosse.78 3/8 x 57 ¼ in./199 x 145.4 cmAn electric-pink neon gl

(Björk Digital showcases the fruits of embracing collaboration and creative technologiesから)

(A New Book by Paris’s Out-There Art-Fashion Duoから)

the-worship-project:Blessed to be a Blessing - original typography from The Worship Project. “…but n

“The identity system for Lake house was inspired by local trail maps—encouraging guest to get

Otto Baumberger, poster artwork for motorcycle exhibition, 1932. Switzerland. Via Susanlenox

betype:DAS KREATIVE HAUS byFlorian Schommer

visualgraphc:Art is a matter of taste - Marie Zieger

luthienne:Camille Norton, Corruption: Poems

@itsaliving​ ©  2018

nevver:Archibet city

thebluesthour:Nina Cassian, “Kisses” (trans. Brenda Walker & Andrea Deletant), Life Sentence: Se

bighero6fans:Submitted by Naomi RuggirelloEach arm is made out of typography. Some of the words used

sideeffectsinclude:Excerpt from The Complete Poems by Anne Sexton

sweetily:bouquet do not remove caption or repost.

Albert Camus, The Plague(trans. Justin O’Brien)[Text ID: “After all—?” Tarrou prompted softly.“After

Alexander Rodchenko, artwork for magazine Novyj LEF / The New LEF, 1927-1928. Russia. Via Nosbüsch S

Neil Fujita, book jacket for Truman Capote’s Cold Blood, 1966.

@retoyman text art. Reply All: Subject: I’m In A Foul Mood. Send. 11x14 ink on Bristol paper .....#r

Paul Eluard. “I Cannot Be Known” (selected lines), Selected Poems (trans. Gilbert Bowen)

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