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gunsandposes:THANKSGIVING DAY—HANGING UP THE MUSKET by Winslow Homer (1836-1910). First published in
talesfromweirdland:Italian artist and graphic novel pioneer, Dino Buzzati (1906-1972). Illustration
Lucien Lelong bridal gown, illustration by Cassandre, Harper’s Bazaar Cover, 1940
Robert Stewart Sherriffs (1906-1960), “Rubaiyat of Omar Khayyam”, 1947Source
Julian Key, first wordless advertising poster,1966. Chat noir coffee brand, Douwe Egberts, Belgium.
The Premature Burial, from Edgar Allan Poe’s Tales of Mystery and Imagination by Harry Clarke (1923)
claytonmoss:Incredible Pulp Artwork by Earl Norem
Alfredo Bouret fashion illustration, 1950´s
Henry a la Pensée design, illustration by Alain Barlier, 1946
Max Richter (1860-), ‘Nutzbarmachung von Oedflächen in Deutschland’, “Ulk”,
Giuseppe Eugenio Chiorino (1871-1941), ‘Flores a María’, “Blanco y Negro”, #817, 1897
Claude Fayette Bragdon (1866-1946), “The Chapbook”, 1896Source
Alfred Fredericks (-1926), ‘Front Page’, “The Catskill Fairies” by Virginia Wales Johns
Illustration from Mademoiselle Dax jeune fille (1926) by Pierre Brissaud.
Thomas Faed (1826-1900), “Tam O'Shanter” by Robert Burns, 1890 Source
Howard Pyle (1853-1911), ‘Melancolia’, “Pepper & Salt, or Seasoning for Young
Maud Fuller Petersham (1890-1971) & Miska Petersham (1888-1960), 'The First Corn’, “
F. Brössler, ‘Der Traum’, “Der Guckkasten”, #7, 1912Source
Lace and Feathers, illustrations by David for Gazette du Bon Ton, issue no.1, Paris, 1922
“The Ladies Cricket Club - Matches to Come” (1869). Illustration by Charles Keene (1823–
Slow Jam ✨available on Redbubble
Eulogio Varela (1868-1955), “Blanco y Negro”, #650, 1903 + #651, 1903Source (+)
Merry Mars: by Chris Trevas
Johann Christoph Albrecht, Elementa Calligraphiae, 1764. Engraving. Nuremberg, Germany. Source DIPF
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