William
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John William Waterhouse - In the Harem
John William Waterhouse - In the Harem
William Hogarth, Before, c.1730–1, 39 x 34 cm, Los Angeles, The J. Paul Getty Museum, digital image
William Hogarth, Before, c.1730–1, 39 x 34 cm, Los Angeles, The J. Paul Getty Museum, digital image
William Hogarth, After, c. 1730–1, 39 x 34 cm, Los Angeles, The J. Paul Getty MuseumIn the other pai
William Hogarth, After, c. 1730–1, 39 x 34 cm, Los Angeles, The J. Paul Getty MuseumIn the other pai
William Strang (1859-1921),  ’‘Lucian’s True History’’ by Lucian of Sa
William Strang (1859-1921),  ’‘Lucian’s True History’’ by Lucian of Sa
nobodys:Me? I’m dishonest, and a dishonest man you can always trust to be dishonest. Honestly. It’s
nobodys:Me? I’m dishonest, and a dishonest man you can always trust to be dishonest. Honestly. It’s
William Hogarth, The Bench, 1758, etching and engraving; fifth state of five, 324 x 217 mm, New York
William Hogarth, The Bench, 1758, etching and engraving; fifth state of five, 324 x 217 mm, New York
macrolit:from ml.books
macrolit:from ml.books
artist-hogarth:The Lady’s Last Stake, 1759, William HogarthMedium: oil,canvas
artist-hogarth:The Lady’s Last Stake, 1759, William HogarthMedium: oil,canvas
‘I’ve won! I’ve won!’, quoth she. (1896 - Etching) - William Strang
‘I’ve won! I’ve won!’, quoth she. (1896 - Etching) - William Strang
William Morris, The Defence of Guenevere and Other Poems, 1904. London. University of Maryland Libra
William Morris, The Defence of Guenevere and Other Poems, 1904. London. University of Maryland Libra
William Strang (1859-1921), ‘Death and Life in Death’, “Etchings of William Strang
William Strang (1859-1921), ‘Death and Life in Death’, “Etchings of William Strang
William Hogarth, A Midnight Modern Conversation, c.1732, 76 x 164 cm, New Haven, Yale Center for Bri
William Hogarth, A Midnight Modern Conversation, c.1732, 76 x 164 cm, New Haven, Yale Center for Bri
the infernal trio
the infernal trio
Brion Gysin, Cover art
Brion Gysin, Cover art
William Strang (1859-1921), ‘Death Defeated’, 1888Source
William Strang (1859-1921), ‘Death Defeated’, 1888Source
Aubrey Beardsley (1872-1898), Joseph Benwell Clark (1857-1938), & William Strang (1859-1921), &l
Aubrey Beardsley (1872-1898), Joseph Benwell Clark (1857-1938), & William Strang (1859-1921), &l
It’s #NationalDictionaryDay!  The name “Bryn Athyn” was first suggested by Bishop William F. Pendlet
It’s #NationalDictionaryDay!  The name “Bryn Athyn” was first suggested by Bishop William F. Pendlet
This issue of Glencairn Museum News explores works in Glencairn’s collection by artists who were ins
This issue of Glencairn Museum News explores works in Glencairn’s collection by artists who were ins
William Strang (Scottish, 1859-1921, b. Dumbarton, Scotland) - Illustration for John Milton’s
William Strang (Scottish, 1859-1921, b. Dumbarton, Scotland) - Illustration for John Milton’s
William Segar, Sir Walter Raleigh, 1598. Oil on canvas, 109 x 84 cm. National Gallery of Ireland, Du
William Segar, Sir Walter Raleigh, 1598. Oil on canvas, 109 x 84 cm. National Gallery of Ireland, Du
Alexander William Crawford Lindsay (Lord Lindsay) (1812-1880), ‘Woodland Fairies in the Moonli
Alexander William Crawford Lindsay (Lord Lindsay) (1812-1880), ‘Woodland Fairies in the Moonli
The ShoreAllen William Seaby (British; 1867–1953)Color woodcut, ca. 1900–8Victoria and Albert Museum
The ShoreAllen William Seaby (British; 1867–1953)Color woodcut, ca. 1900–8Victoria and Albert Museum
detail of The Lady of Shalott by John William Waterhouse
detail of The Lady of Shalott by John William Waterhouse
Ophelia.1926.Oil on Canvas.66.04 x 81.6 cm.Art by Arthur Prince Spear.(1879-1959).
Ophelia.1926.Oil on Canvas.66.04 x 81.6 cm.Art by Arthur Prince Spear.(1879-1959).
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