Woundgallery

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woundgallery:Louise Bourgeois, Touching Christ

woundgallery:ted powers

woundgallery:Ida Applebroog, No Title, ink on vellum 

woundgallery:Tracey Emin, Chess Set, bronze, fabric, cotton thread, cord, ink, etched Corian and Hal

woundgallery:JULIA VINOGRAD

woundgallery:Lucio Fontana ‘Spatial Concept ‘Waiting’’, 1960 vs.Gerrit Van Honthorst, The Incredulit

woundgallery:Whitney Hubbs, Untitled (Wave), 2012, Gelatin Silver Print, Edition of 3, 20 x 24 inche

woundgallery: Harry Holland, Lovers, 1982

woundgallery:Ana Mendieta, Untitled (Silueta series), 1978

woundgallery:—Simone Weil, from La Pesanteur et la Grace (trans. Emma Craufurd, Routledge and Kegan

woundgallery: Sophie Calle, Exquisite Pain, 1999

woundgallery:Adam Zagajewski

woundgallery:Damien HirstThe SoulsPrint71.0 X 50.0 cm (28.0 X 19.7 in)Signed, 2/15

woundgallery: Flora by Nobuyoshi Araki

woundgallery:Brigitte Niedermair

woundgallery:Ana Mendieta, Untitled: Silueta Series, Iowa, 1977 Photograph 

woundgallery: Damien Hirst, Cherry Blossom and Butterflies, 2010

woundgallery:Roberto Bolaño

woundgallery:Edna St. Vincent Millay

woundgallery:Tracey Emin — Free + Really Wet, monoprint, 1997.

woundgallery:Tracey Emin, Chess Set, bronze, fabric, cotton thread, cord, ink, etched Corian and Hal

woundgallery: Rebecca Horn, Crickets Song, 2010, Stone, copper, motor, electronic device, 16-1&frasl

woundgallery: Left: Doris SalcedoUnland: irreversible witness 1995–8Right: Doris SalcedoUnland

woundgallery: Annie Oakley’s heart target (One of Oakley’s most popular stunts was shoot

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