When the curtain rises on that something this month, audiences will find themselves face-to-face wit
When the curtain rises on that something this month, audiences will find themselves face-to-face with a past that feels as alive as the present, with Aaron Burr (Leslie Odom, Jr.), James Madison (Okieriete Onaodowan), Thomas Jefferson (Diggs), and George Washington (Jackson) strutting onto the stage—a rap crew in costume designer Paul Tazewell’s frock coats and breeches—and Burr asking:How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten Spot in the Caribbean by Providence, impoverished, in squalor Grow up to be a hero and a scholar?From Kail’s fluid staging to Andy Blankenbuehler’s sexy, propulsive choreography, the number crackles with the fierce urgency of now. David Korins’s bi-level set of shipbuilders’ wood and brick invokes an unfinished country, populated by an ensemble that looks on as the action unfolds, witnesses (as we are) to history. “Musicals are about transitions,” Kail says. “I knew that every scene change would be done by the people who were building America.” -- source link
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