aaeds: inthenameofpeacewemakewar: sweetappletea: imtoobiforyou: sn0wburr: mybabybumblebee: Look at t
aaeds:inthenameofpeacewemakewar:sweetappletea:imtoobiforyou:sn0wburr:mybabybumblebee:Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculousIM SORRY WHATWHATIt took over 60 puppeteers to operate Audrey II’s final form in the film. You can read more about the puppet’s creation and operation here. The practical effects of Little Shop of Horrors was fucking astounding. It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post. It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton. Fuck yea. -- source link
#incredible