James Hampton, Crown from The Throne of the Third Heaven of the Nations’ Millennium Genera

James Hampton, Crown from The Throne of the Third Heaven of the Nations’ Millennium General Assembly, ca. 1950-1964, gold and silver aluminum foil, cardboard, found objects, Smithsonian American Art Museum, Gift of Margaret Kelley McHugh, Nancy Kelley Schneider and William H. Kelley, 2001.67.2Little is known about James Hampton, despite the grandeur of his self-chosen title, ​“Director, Special Projects for the State of Eternity.” He was born in 1909 in Elloree, South Carolina, a small community of predominantly African-American sharecroppers and tenant farmers. His father, a gospel singer and self-ordained Baptist minister, left his wife and four children to pursue his itinerant calling.In 1928, when he was nineteen, Hampton moved to Washington, D.C., to live with an older brother. Drafted into the Army in 1942, he served with a segregated unit that maintained airstrips in Saipan and Guam during World War II. Hampton returned to Washington in 1945, and began working a year later as a janitor for the General Services Administration until his death in 1964. Although he expressed interest in finding ​“a holy woman,” to assist with his life’s work he never married and had few close friends.Hampton was raised as a fundamentalist Baptist, but he disliked the concept of a denominational God and attended a variety of the city’s churches. As early as 1931, Hampton believed that he began receiving visions from God, and by 1945 it appears he had made one small, shrine-like object while stationed on Guam. This piece became part of his larger work, and is now placed in front of the center pulpit.His work on The Throne of the Third Heaven of the Nations Millennium General Assembly probably began in earnest around 1950, when he rented a garage in his northwest Washington neighborhood, which was also the city’s center of African-American business, religious, and night life.Although a humble man, Hampton often referred to himself as ​“St. James.” He may have considered himself a prophet like John, the author of The Book of Revelation, the biblical writing that inspired Hampton’s belief in the Second Coming of Christ and his desire to build The Throne as a monument to the return of Christ to earth.Hampton worked almost every day on his project, often starting his work at midnight after completing his janitorial duties. He continued his efforts until he died in 1964. The Throne was discovered and brought to the public’s attention after his death. It is most likely Hampton’s monument to his faith was never completely finished.Smithsonian American Art Museum, -- source link

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