ozu-teapot: Perfect Blue | Satoshi Kon | 1997 Backgrounds in Satoshi Kon’s movies are always v
ozu-teapot: Perfect Blue | Satoshi Kon | 1997 Backgrounds in Satoshi Kon’s movies are always vivid and restless. Just like in the characters there’s more to read than what you see at the first glance. People have neurotic rooms and city streets are dreamlike (and often really a dream). -- source link
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