anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go

anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go
anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go

anonbea:“Well hello there, Chere.”In second year, we did a narrative unit where we had to have a go at someone else’s story. We had limited choices, but i chose A midsummer night’s dream. I had this lovely idea of a New Orleans version, with Baron Samedi and Mama Brigitte as oberon and titania, a jumped up greaser poltergeist as Puck and relevant sacrificial animals as fairies.    Hence the chicken.I did so much research on this, i learned so much about voodooism. So awesome and such a serious practise. These two gods seemed perfect to act as fairy royalty.  Again an old piece, maybe two years old? But the ink is still good, I think.EnjoyEdit, people seem to like this, would anyone be interested in me completing the scene? like i planned out the whole confrontation scene in 2014.  Any thoughts?  -- source link


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