tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.

tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.
tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form.

tonywda:“I think doing voice work for animation is probably acting in its purest, most ancient form. It’s a bit like the [ancient] Greek form of acting, where they had masks on. In our case, the mask is the animator’s drawings.“ — James Earl Jones (The Making of “The Lion King”, 1994) -- source link


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