thinkingimages:The camera as a foreign bodyThe intermedia project Journey (2007) was an important sy
thinkingimages:The camera as a foreign bodyThe intermedia project Journey (2007) was an important symbol of Rumiak’s departure from his hitherto established aesthetic. The artist cycled from Poland to Venice for this work. He slept in a miniature dummy of the Polish Pavilion from the Art Biennale, which he’d created especially for this occasion. The project was documented on a blog, and in 2008 it was presented in the form of an exhibition at the Kronika gallery in Bytom.With time, the artist was becoming increasingly interested in film – especially the relationship between film and still photography, as well as between film and space (both the screening and recording site).The inspirations resulting from the limitations of the medium are crucial, for instance, the camera as a ‘foreign body,’ disrupting the natural course of the observed events, an unknown outside of the frame borders, the time shift between the recording and screening, etc. – said Rumiak on the occasion of the exhibition Haxenabkratzen Cinema, presented in 2010 at the Bielska BWA GalleryThe aforementioned exhibition comprised three separate works, out of which the titular installation was key. ‘Haxen abkratzen’ (German: wipe your feet) was printed on a plaque mounted on the entrance door to the artist’s grandparents’ apartment….https://culture.pl/en/artist/slawomir-rumiak -- source link
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