alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn

alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn
alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn

alessandroborghee:• DIRECTORS’ SIGNATURE SHOTS •QUENTIN TARANTINO, THE TRUNK SHOT low camera angleIn his early films, Tarantino uses the trunk shot as a means to further introduce his characters and develop them into more nefarious and gritty criminals; however, as his own filmography and cinematography becomes more recognizable, he later shifts the trunk shot towards more critical moments in the film. Shooting characters from a low camera angle accomplishes many things in the world of narrative filmmaking. For one, it makes them look big, powerful, and larger than life. x + bonus: -- source link


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