Leonid Terentievich Chupiatov (1890-1941), ‘The Staircase’, 1925”In Staircase, the paint
Leonid Terentievich Chupiatov (1890-1941), ‘The Staircase’, 1925”In Staircase, the painter openly experiments with the representation of space. The unusual perspective, directed down into the depths of the staircase, gives the mundane scene an extraordinary, vertiginous dynamism and unease. The diagonal lines and acute angles of converging forms; the changing rhythms of the edges of the staircase; the strangely bulging window and the measured pace of the descending, isolated figures all together create a restless atmosphere, reminiscent of the agonizing suspense in big screen thrillers.The artist also used landscapes glimpsed through a window and from a height in his stage design for the ballet Red Whirlwind at the State Academic Theatre of Opera and Ballet in 1924. This element, and also the stylistic similarities to the well-known picture Interior (private collection, Saint Petersburg) allow us to date Staircase to the mid-1920s.Through the unusual colour combinations and emphatically disturbing composition of his canvasses and set designs, Chupiatov expresses the tense drama of his world view.”Source -- source link
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