tenemos-que-hablar:Q: But in the end, the movie was about a man, you know? It was like a man was the
tenemos-que-hablar:Q: But in the end, the movie was about a man, you know? It was like a man was the reason why you both got together and he was the reason that you split.Yeah, because in real life, this is what it is, you know? We know as women, we are spread out in the world. We are the only oppressed people that would not be a population. People from a particular nationality that would be oppressed, they live together, they can rebel. As women, we are spread out among couples and families and our oppression is very intricate with our love story, our family’s stories. That’s the way it works. We know that if we just regard the world, that we are going to be turned into objects again once we are not together anymore. This is how it works. We don’t make a happy end that would calm the world and say “no don’t worry, thank you for letting us be alive.” No, no. You are not letting us be alive enough.Adèle Haenel discusses the “not-so-happy ending” of Portrait of a Lady on Fire with FredCarpet || published March 6, 2020 -- source link
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