In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidar

In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidar
In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidar
In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidar

In Lyle Ashton Harris’s exhibition “Flash of the Spirit,” the artist uses himself as a lapidary tool to dismantle preconceptions about race, gender, and sexual identity, and to construct an ongoing, oneiric memoir about African diasporic life.Read the full story, “The Hallucinatory Reclamations of Lyle Ashton Harris’s Masked Self-Portraits” here.  -- source link
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