Two days after I said I’d upload it tonight, here it is! My October playlist is finished and it’s ch

Two days after I said I’d upload it tonight, here it is! My October playlist is finished and it’s chock a block full of good music and also bad music that I love. From John Mellencamp to drone metal, from Katy B to Cassius, it’s all here and more. Deadmau5 also is here and for that I apologise.Small Town (Acoustic) - John Mellencamp: Guess who had a legit emotional reaction to a John Mellencamp song this month, thinking deeply about what it means to be from a small town and how much this song gets right and wrong about identity and freedom in a small town versus living in a big town? This guy. I think this song works a lot better stripped down acoustically than it does in the album version. It gives the lyrics a lot more space, and really lays out just how simple the sentiment of the song is. It sets the tone of this month’s playlist pretty well now that I think about it. I’ve been feeling like a real pea-brain hayseed this month and big chunks of this playlist really reflect that.Katy On A Mission - Katy B: It feels like this and Hold It Against Me by Britney Spears (which was also 2011) is the moment that big american style dubstep completely crossed over into the mainstream, Scary Monsters And Nice Sprites was about six months ago and from there it was a tidal wave until oversaturation and complete death. But Katy On A Mission is different because it’s at least got the credentials of dubstep pioneer Benga producing it and it doesn’t go all-out on the super dirty bass, or even particularly have a big drop at all - it just uses it textually all the way through and it’s better off for it.I Only Have Eyes For You - The Flamingos: The way this song is recorded is insane. It literally sounds like they’re at the bottom of a well. And it’s mixed in that good early stereo hard-panned style so the lead is in the right channel and the whole harmony is in the left channel and absolutely soaked in reverb in a way that just sounds incongruous with the rest of the song. It sounds like a dream. My favourite moment is at about 2:30 when the harmony vocals get so large on the high note that they clip out and distort in a way that just sounds very, very cool.Horses In The Sky (Live Version) - The Sound Of Animals Fighting: The Sound Of Animals Fighting was a post-hardcore prog supergroup where they were all anonymous (it was just the entirety of RX Bandits plus Anthony Green from Circa Survive) and I really wish they’d done more like this after their first album - because they still wrote very very good songs but they got lost in the mire of studio ambient interludes and being avant-garde for the sake of it which sometimes worked and most times just bored you which thankfully they only succumb in the end section of this version. Compare this to the studio version if you want to know what I mean, halfway through the guitar solo it just starts playing in reverse.Split Wide Open - Cannibal Corpse: Here’s what I mean about feeling like a pea-brain this month. Cannibal Corpse is proper troglodyte moron man music. It makes me feel dumb as fuck like a real stupid guy. There’s something interesting about Cannibal Corpse’s enduring ability to shock people, and that a band making such extreme music are at least a name that people know. They were in Ace Ventura: Pet Detective for god’s sake. Before Marilyn Manson and that wave of cabaret shock-rock really got into the popular consciousness Cannibal Corpse were making shocking, violent music without any of the glamour and I think it’s served them well in the long run. Songs like ‘Hammer Smashed Face’ or 'I Cum Blood’, are shocking in title, artwork and content to this day are still musically shocking to the vast majority, far more than Marilyn Manson’s spooky androgyny and wearing like a top hat and having fangs or whatever that’s aged like milk and become just another boring cliche. The idea of the devil being charming and sly, disguised in charisma is so much more boring than the devil just tearing you apart like mince meat and eating you. Anyway I’m here to say Cannibal Corpse is good music for dum-dums like me.Funeraloplis - Electric Wizard: Someone’s edited it now but it’s still in the footnote links, but the best ever piece of writing on wikipedia was the quote on Electric Wizard’s page where they were explaining the origin of their name because it said “Is the name Electric Wizard made out of two Black Sabbath song titles? [smokes a big bud of weed through a can] Hahahaha, yeah it is!” which is so good and sort of all you need to know about them.I <3 U So - Cassius: Looking back through this list it seems I’m having a real 2011 moment for some reason. I don’t think I *get* Cassius. From everything I read about them they seem to be french dance royalty but they literally have two good songs and they’re both in this playlist. These two songs are very good though so maybe it’s just that. Anyway it’s a shame what Kanye did this to song on Watch The Throne but I don’t blame him, it feels like this song is just impossible to work with. It’s at a weird tempo, it’s incredible loose, it basically has one section. I imagine this song would have frustrated a lot of DJs when it was popular cause I really don’t know how you would mix in or out of it, but fuck it while it’s on it’s a great song!Youth, Speed, Trouble, Cigarettes - Cassius: This is the other good Cassius song. I’m pitching it as the theme song for when they eventually reboot Skins. I really appreciate that this song has 1 idea and basically just does every variation it can with it before bringing it to a climax. When your idea is this simple and this good that’s all you need. Also the big toms that kick in after the 'just one more’ but are heaven sent.It Took The Night To Believe - Sun 0))): Sun 0))) are such morons and it’s so funny that you can be so dumb and so serious about this sort of music at the same time. On this song Greg Anderson is credited as Mystik Fogg Invokator and Stephen O'Malely is credited as Taoiseach, which is the name for the Irish prime minister. Whenever I listen to Sun 0))) for the first two minutes I’m like 'lol this sucks’ but then suddenly the guy is like 'cry yourself to ash’ and I’m feeling the pull of the void quite heavily. Basically it’s just like that meme.Seven Angels - Earth: I remember ages ago some guy posted Earth 2: Special High Frequency edition and it was just this whole album with a high pass filter on it which is a funny joke. Anyway it interesting to think of this album in the context of when it came out. Two years after Nevermind, six months before In Utero - grunge at the absolute height of its power, stoner metal like Kyuss and Sleep huge when suddenly this guy comes out of nowhere and distills guitar music down to its essence: slower, louder, heavier than anything else by an order of magnitude.Mutual Slump - DJ Shadow: I finally saw Xanadu this month and now I can finally relate to the weird smiling breathing out your nose noise that she makes after she says 'I’d never hailed a cab before’ in this song.Walkin’ On The Sidewalks - Queens Of The Stone Age: Queens Of The Stone Age’s first album is 20 years old this year and I’ve been thinking a lot about how it was a two person operation. Josh Homme played and sang everything on this album except the drums and it’s funny to think about writing this sort of music all by yourself outside of a jam structure. He really sat down with a pad and paper and wrote down 'outro: bass riff x400’ and then recorded it just like that.Witch - Maps & Atlases: I wake up with this song in my head so often it’s insane. I think a triplet groove in 4/4 like this is such a good and underused feeling and this song really deploys is perfectly. I want more of this, the good kind of math rock where it’s not just guys doing midwest emo tappy riffs that all sound the same.Down 2 Hang - Kirin J Callinan: This is what meeting up with people from the internet feels like. It’s kind of a shame that this album got completely overshadowed by the Jimmy Barnes screaming meme, and that it’s the first and last a lot of americans will ever hear of Jimmy Barnes but in reality it’s exactly what Kirin J Callinan wanted to good for him I suppose.Fast In My Car - Paramore: If you can’t tell already I’m having an extremely basic bitch moron man month and that included listening to this Paramore album a lot and telling my girlfriend about how isn’t it so interesting that the guitarist Taylor York just took over drum duties for this album after their longtime drummer quit and did such a good job playing drums AND guitar and her rightly not caring at all. I’m always impressed by songs that keep the same chords through the verse and chorus, it seems impossible but it works great here.Don’t Stop The Dance (feat. Delafleur) - Breakbot: I’m clapping my hands to stress each syllable when I tell you that Disco Will Never Die.Oqiton - Jeremy Dutcher: I’m so glad this album won the Polaris Prize because I feel like I would never have heard of it otherwise. I absolutely love it, and I think what I love so much about it is that it doesn’t fall into the trap of similar projects like this in the past of smoothing out all the jagged edges and turning it into plastic pretty music from the untouched ancient peoples - it’s a real and alive reinterpretation of old music that looks toward the future and past in equal measure. Including the actual original recordings in each track is such a smart move, it gives you the context you need so this album isn’t about liner notes and extra sources and it lets those old recordings seamlessly fold into these new reorchestrations.I Remember - Deadmau5 & Kaskade: Anyway moron month continues here with the only worthwhile contribution to the planet earth that Deadmau5 ever made, I suspect by letting Kaskade do most of the work. It sounds sadistic but I really appreciate how this song is nearly ten minutes long, I’m a big fan of any song with that much confidence that actually pulls it off.Overtime - Jessie Ware: Fucking Jessie Ware is back and she’s got Bicep producing! I think I added this song to my playlist before it was even a minute in, I just heard the bassline and my brain stem said yes.Body - Julie Jacklin: I really think Julia Jacklin might be the best songwriter around right now and I cannot wait for her new album. I guess this keeps with the moron man theme by telling it from the other side. I keep listening to this song and then getting into a real mood for about an hour afterwards so I can’t imagine the damage the album is going to do to me.Can’t Tell Me Nothing - Kanye West: Throughout the whole ongoing Kanye drama I’ve been thinking of this song. “ I feel the pressure, under more scrutiny, and what I do? Act more stupidly” “I’m on TV talking like it’s just you and me”. Anyway he’s had is money right for a long time but it’s becoming increasingly apparent that you really really can’t tell him nothing. I think it’s interesting that the thing that seems to have spurred him into clarifying his beliefs and finally backtracking on anything is that Candace Owens tried to credit him for the shitty Blexit thing and it turns out the one thing you can’t do to Kanye West is manipulate him into putting his name on something he doesn’t believe in or didn’t create. It’s insane that John Legend and Mos Def and Talib Kweli reaching out didn’t change anything but Candace Owens taking one too many liberties absolutely did.Like Wolves On The Fold - Colin Stetson: I’ve said it one million times but I love Colin Stetson. I love how straightforward this is for a Colin Stetson song. You can sing along to it! So much writing about him focuses on the intricasies of his technique rather than his resulting very human, very primal music. I feel like his music is not very far from beating on your chest and yelling a lot of the time (especially toward the second half of this song) and the saxophone element just makes it a lot more socially acceptable.Sack 'Em Up, Pt. I / Sack 'Em Up, Pt. II - Gwenifer Raymond: Bandcamp had a really good article about American Primitive the other day https://daily.bandcamp.com/2018/10/10/american-primitive-list/ and I found this album in it and fell completely in love instantly. I listened to it five times in a row. It’s just incredible and I’m so glad that the music I love is finally being rescued from the mire of New Acoustic youtube men with their slapping and tapping and harp guitars and moving forward in new ways with artists like Sarah Louise, Marisa Anderson and Gwenifer Raymond. Women are finally allowed to play guitar now and thank fuck. One of the things I really appreciate about this album is just how written it feels. Every part, even the very swirly Part One of this song feels very purposeful, and if not totally written at least improvised in a tight framework before moving into the completely written second half. There’s nothing wrong with improv but in a genre like this that’s almost overrun with guys putting out hour long improv records it’s refreshing to hear someone with such a clear vision execute it so expertly.Bleeding Finger Blues - Gwenifer Raymond: Also, get a fucking load of this. An absolute powerhouse performance from a master. There’s not enough solo banjo music around and it’s a shame because I don’t know if there’s a better argument for banjo as a solo instrument than this song. The other thing I like about this album is there’s three banjo songs on it, which works well for breaking up the sequencing and making each song really distinct in a genre where albums can really blend together.4:30 - Danger: It’s a shame that Danger never really fulfilled his potential. With songs as good as this as 19:11 he seemed set. But then he took about a decade off before his debut album and I guess he lost something along the way. Anyway, doesn’t matter because when you’ve got a song as good as this it’s all you need. Also here’s a good video where someone just put this song over the bar scene from Terminator which really accentuates the vibe in my opinion. https://www.youtube.com/watch?v=z37R39-mff8Crybaby - Abra: I love love love the production on this. A friend sent it to me because he said it reminded him of the Call Me Mr Telephone song I was raving about and he’s absolutely right. I love how formless it is, it goes through about three different verse ideas before finally getting to the chorus at about a minute and a half in and it’s only stronger for it. I’m so glad a new generation of darkwave adjacent people are discovering freestyle because this is great.OMG!!! - Yelle: This song is probably best experienced with the music video. https://www.youtube.com/watch?v=eoWK4rV3INY It’s fantastic on its own, especially the “oh my god!” sample and the whole chorus section, but the video - titties out, covered in glitter, very very good dance move for the rising 'ooo’ part, a hamster is there. Really accentuates it.Copacabana (At The Copa) - Barry Manilow: Was thinking about this song the other day. Woke up with it in my head actually which was strange. I feel like this song and the Pina Colada song definitely take place in the same cinematic universe.King Of The Dead - Cirith Ungol: I’ve been rereading Lord Of The Rings and also a very dodgy 70s sci-fi series called Dray Prescot and so divine fate has drawn me to discover Cirith Ungol. The good kind of metal where all the album covers could also be fantasy novel covers and all the songs are about how cool it would be to slay an ancient demon with a sword. I love this song because it feels impossible to sing it without doing some very dramatic face acting and also his voice is completely insane. I feel like this is maybe just how he talks.Sugaree 10/21/1978 - Grateful Dead: Grateful Dead are good and ever since I came to terms with that I’ve felt like I’m always on the precipice of buying a box of tapes, covering my car in confusing stickers and dropping completely out of society. The problem with a big chunk of live Dead recordings that I’ve heard is that while the playing is always on point, the vocals can vary wildly - especially when they try any kind of harmony, but this recording is just great. Fantastic vocals with a lot of feeling, ample crowd noise so it doesn’t feel like just a sterile soundboard recording, and of course an incredible extended jam.Ring De Bell - Brother Resistance: I don’t fully understand what rapso music is yet, I don’t have enough understanding of the culture or surrounding genres. I basically just found this Best Of compilation and have been listening to it a LOT. As I understand it it’s 70s Trinidadian calypso music that got very political, which is very cool. I’m a big fan of this sort of lyric where it feels like you could just go on and on for days about all the places you should ring the bell.Kojack - David Rudder: The crown jewel of this compilation is of course this song I’ve posted about before and absolutely love to death. A protest song about them taking Kojack off the TV because it’s too violent when shows like Dallas and Dynasty, which are far worse, remain on the air. Miami Vice! Before youtube comments and online petitions you had to make extremely good songs about this kind of thing, and its a huge shame that we’ve allowed this to die.The Power Of Love - Celine Dion: I love Celine Dion because all her songs sound like they were recorded across 5 countries and 8 different studios and cost two million dollars. They always sound too expensive for casual listening to me, like I should have an emergency mink coat on me at all times just in case The Power Of Love starts playing in a supermarket.Airworks - J Dilla: I’ve been listening to Donuts a bunch this month and really thinking about what makes him so good and the vast legion of Dilla imitators on soundcloud bad and I think this song is a good example. The main sample sounds straight up ugly, it’s backwards and twisted to hell, the main strings part keeps folding over itself, it’s just chaos but completely controlled chaos. Every imitator is so afraid to make a total mess like he does and is too focused on the underpinning laid-backness of the beat, where Dila somehow makes the relaxed feeling easily as a result of a million clashing elements.Anti-American Graffiti - J Dilla: I also found a playlist on Spotify where someone had put together Donuts with all of the the original tracks it sampled (or at least the ones that are available on Spotify) and it’s such an illuminating new way to listen to this album. https://open.spotify.com/user/keatonkreps/playlist/1TPeWt38uceWXD1Vhyf7wx?si=NJ_jHrYqQpCt18q-W9nragMarvel - Solillaquists Of Sound: Every genre has good music in it. Even rappity rap conscious hip hop has good songs like this one. There’s another song on this album called Popcorn that’s basically the It’s Media picture converted to a .wav but this song is good. Especially her vocals when they come in halfway through sounding like an astrology zine except good.Rock Island Line - Johnny Cash: Johnny Cash has around one million songs about trains, including ‘Blue Train’, ‘Train Of Love’ and a song called ‘I’ve Got A Thing About Trains’ but this is the best one because it’s about train-related fraud and doing perhaps the most outlaw country manoeuvre ever and telling the toll man that you’re carrying livestock when you are in fact carrying pig iron.I <3 U So (Skream’s Made Zdar Feel Like He Was 20 Again Remix) - Cassius: Also as a kind of coda, here’s Skream’s version of I <3 U So, where he’s completely ironed it out and turned it into a pulsing dnb thing which is always impressive to me when people completely reverse the feel of a song in a remix.Worms Of The Senses / Faculties Of The Skull - Refused: Stereogum had a really good article about The Shape Of Punk To Come on its 20th anniversary and whether it really did turn out to be the shape of punk to come. They asked a bunch of people whether the title seemed arrogant and the vocalist from La Dispute had a really good answer where he said “But it’s like calling your shot and then fuckin’ hitting a home run. If it was arrogant, it was justifiably so.” which is so great. https://www.stereogum.com/2020358/refused-shape-of-punk-to-come-turns-20/franchises/sounding-board/​listen here -- source link

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