hidden-writing:`Cowboy 1: “What’s your scene, man?” Cowboy 2: “Reification” Cowboy 1: “Yeah? I guess
hidden-writing:`Cowboy 1: “What’s your scene, man?” Cowboy 2: “Reification” Cowboy 1: “Yeah? I guess that means pretty hard work with big books and piles of paper on a big table.” Cowboy 2: “Nope. I drift. Mostly I just drift.”`<)%)_&^$>{[andré bertrand—LE RETOUR DE LA COLONNE DURUTTI—détourned film stills & photographs/wheatpasted comic strip-1966{} <@&*%)>Cowboy conversation taken from Michèle Bernstein’s novel (itself a detournement of Sagan-esque romance fiction) All the King’s Horses (1960).Also worth noting was that “According to the French philosopher and occasional associate of the Situationist International, Henri Lefebvre, she additionally helped to support the situationists financially, by contributing horses’ horoscopes to racing magazines.[3]” All hail Bernstein, a forgotten Situationist, and one of the great philosopher’s of Love in and against the Spectacle. -- source link
#si#collage#detournement#michele bernsten#love#radical love#theory#aesthetics#radical aesthetics#andre bertrand#poster art