Posted @withregram • @charliejmeyers NOW LIVE! “No End In Sight”: A Virtual Exhibition, in collabora
Posted @withregram • @charliejmeyers NOW LIVE! “No End In Sight”: A Virtual Exhibition, in collaboration with @vantageartprojects & writer @sarahrosejansen , the exhibition runs from 11.20.20-2.1.21. Click the link in my bio under my linktree or go to:https://vantageartprojects.com/vap-2020-q4About the show:“The bodies we must exist in affect every aspect of our lives. The societal norms around them–how they should look, feel, eat, move, age–are some of the most deeply entrenched we navigate.The six artists of No End In Sight all work with the idea of the body: how the physical affects identity, how chronic illness and disability affect creative practice, exploring interactions with their own or other bodies. The exhibition was curated by emerging curator and artist Charlie J Meyers aka @curatorwithamigraine @charliejmeyers , and writer by @sarahrosejansen presented in our virtual exhibition space.”Participating Artists:@laurafedorowicz @susancarr88 @ashburn_art @ianstoneart @littlegreenparrot @fionac.nyc ❤️ Thank you to all the artists , Sarah Jansen and Vantage Art Projects for all their hard work putting this together. ❤️ Image Description: Image says “No End In Sight, A Virtual Exhibition” with details of the show mentioned in this post. There are big splashes of color with highlights of pink and yellow, an abstract painting. I had to re-upload due to Instagram issues. #virtualexhibition #abstractpainting #abstract #figurepainting #noendinsight #figurative #abstraction #accessibleart #migraine #migraineawareness #disabilityarts #artists #onlineexhibition #exhibition #artopening #art #paintingsoncanvas #paintings #painting #contemporaryart #contemporarypainting #contemporaryexhibition #curatorwithamigraine #vantageartprojects #ianstone #fionachinkan #susancarr #sylviem cclelland #jessicaashburn #laurafedorowiczhttps://www.instagram.com/p/CH3yF-2DgSf6wLYsnLxEJf1rB49mIT1vIJKMJo0/?igshid=qbp5z85jqpbs -- source link
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