Money Tree. Heidi Lau. Ceramic. 2019. (Photo: Enid Tsui.)Part of Heidi Lau’s exhibition “Apparition,
Money Tree. Heidi Lau. Ceramic. 2019. (Photo: Enid Tsui.)Part of Heidi Lau’s exhibition “Apparition,” which was displayed in the Macau Pavilion at the 58th Venice Art Bienniale, Money Tree — like much of Lau’s work — represents the sudden urbanization of “post-colonial” Macau, driven by aggressive casino expansion which obscured and often erased the city’s complex history. Lau’s art grapples with the traditions and identities left forgotten in the wake of Macau’s sweeping transformation — her work aims to reconnect to “the disappearing, impossible identity of home.”Follow sinθ magazine for more daily posts about Sino arts and culture. -- source link
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