newyorker: The most enduring subject of Lee Friedlander’s personal photographic memory palace is his
newyorker: The most enduring subject of Lee Friedlander’s personal photographic memory palace is his wife, Maria, whom he married in 1958. Over sixty years, he made portraits of her—sometimes with their children, and later, their grandchildren—that compel with their air of casual inevitability. They are artful but not arty, imbued with sentiment but not sentimental. Read the full story, “Lee Friedlander’s Intimate Portraits of His Wife, Through Sixty Years of Marriage,” here. -- source link