joewright:We storyboarded a few shots, tracking and looking down the street at dawn, which we actual
joewright:We storyboarded a few shots, tracking and looking down the street at dawn, which we actually did. But in the middle of the night, when we couldn’t do much else and were waiting to set up the dawn shot, we decided to do this side track-in. It’s kind of lovely the way the horse just whips through frame and then is gone and the snow sort of shifts around him. And that’s the one they used, I think because it’s so pure and simple. That was the whole thing about the film, really. It’s not fussy.— Roger Deakins, BSC, ASC -- source link
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