gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio

gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio
gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressio

gpecks:Director Alfred Hitchcock was disappointed with the limits of Gregory Peck’s facial expressions in Spellbound. According to Peck, “I couldn’t produce the facial expressions that Hitch wanted turned on. I didn’t have that facility. He already had a preconception of what the expression ought to be on your face, he planned that as carefully as the camera angles. Hitchcock was an outside fellow, and I had the Stanislavski training from the Neighborhood Playhouse, which means you work from the inside.”   Spellbound (1945) Dir. Alfred Hitchcock -- source link
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