massarrah:The Descent of Ishtar to the UnderworldTo the place where those who enter do not depart,
massarrah: The Descent of Ishtar to the UnderworldTo the place where those who enter do not depart, to the road whose journey does not end, to the house where those who enter are deprived of light, where dust is their sustenance, clay their food…Written in Akkadian, this tablet from the famed library of Ashurbanipal, the last Neo-Assyrian king, tells the mythological story of the goddess Ishtar’s descent to the underworld. Upon her arrival, she finds its first gate shut and threatens to break it down until the gatekeeper, acting on the orders of Queen of the Underworld, lets her through. At each of the seven gates of the Underworld, she must shed a layer of clothing or jewelry, leaving her powerless upon her arrival before the Queen. Ishtar, the goddess of love and fertility (…and war), was thus trapped in the underworld, and her absence left the world above in suffering and chaos. Eventually, by the agency of gods greater than the Queen of the Underworld, Ishtar is released and her apparel restored to her, and order is restored to the world. (Source)The work is a beautiful piece of Akkadian poetry with roots in the much earlier Sumerian myth of the Descent of Inanna, the Sumerian name for the goddess of love and fertility.To hear a recording of the poem in Akkadian alongside one English translation, see here.Neo-Assyrian (c. 900-600 BCE), Nineveh.British Museum. -- source link
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