killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc

killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc
killblll:“Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forc

killblll: “Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forced to react. No one asks if it is true or false, if you’re genuine or just a sham. Such things matter only in the theatre, and hardly there either. I understand why you don’t speak, why you don’t move, why you’ve created a part for yourself out of apathy. I understand. I admire. You should go on with this part until it is played out, until it loses interest for you. Then you can leave it, just as you’ve left your other parts one by one.”― Persona (1966) dir. Ingmar Bergman -- source link
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