mia-asian-art: Album of Ten Leaves, Xiang Shengmo, 1656, Minneapolis Institute of Art: Chinese, Sout
mia-asian-art: Album of Ten Leaves, Xiang Shengmo, 1656, Minneapolis Institute of Art: Chinese, South and Southeast Asian Artpink blossoms and small flowers on a grey branch; inscription and 3 seals at right Xiang Shengmo was born into one of the most prestigious families in Jiaxing. When the Manchu invasion reached Jiaxing, in 1645, many of Xiang’s friends and relatives died in a vain attempt to save their city. His homestead was destroyed and its art collections lost. Following this upheaval, Xiang’s painting became a source of income, not just an amateur, literati pursuit. Xiang was at the height of his technical and expressive powers when he created this album, featuring a wide range of flowers including wintersweet, cockscomb, apricot, pear, daylily, and cassia. He worked here in pure color without ink outlines and in shaded brushstrokes, which give the impression of three-dimensional modeling. Leaf 1: Apricot I dare say that in the mountains there is no need for calendars, Watch of the approach of the red apricot, for then it is time to plow; Seeing this glory I cannot help but think of the Tang imperial Jasper Garden, Where graduates who ruled the country were first asked to enter into service. Sold along the streets during the second month of spring, They point out the village entrance at three-forked mountain roads; Where people live in jade towers, will horses neigh’ [The point] where the color of grass merges with that of the sky cannot be fixed. During the spring of the year 1656, composed and painted by Xiang Shengmo.Size: 12 1/8 x 9 1/16 in. (30.8 x 23 cm)Medium: Ink and color on paperhttps://collections.artsmia.org/art/45408/ -- source link
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