telaryn:polytropic-liar:hugealienpie:idyllspace:karenhealey:dealanexmachina:legitimately the greates
telaryn:polytropic-liar:hugealienpie:idyllspace:karenhealey:dealanexmachina:legitimately the greatest thing about this show was how everyone was like#nate we’re moving into your life you can’t get rid of us we’re here for good#and nate is a dumbass about everything#it’s a backwards brady bunch#the kids were like this is our family now you two make out and stop angsting so we can all be okay and stop bad guys#leverage#i miss this stupid show so muchI love how when they “stopped off” in Portland and Hardison immediately:1. Bought a microbrewery/bistropub2. Turned the back rooms into their office3. Found them a clientElliot objected because FOOD MATCHING WITH MICROBREWS IS VERY DIFFICULTTHE BREW PUB MENU IS THE MOST DIFFICULT MENU OKAYI also love how they cut a hole in that wall with a CHAIN SAW and we never ever even once saw a door there, or another space. They just did that to fuck with Nate and I approve.Six months after Nate and Sophie leave Portland, that damned painting mysteriously appears outside their villa in Comporta. Nate tries to ban it from the house. Sophie makes him sleep on the porch until he learns how to graciously accept a gift like a functional human being.I love how Hardison approaches moving into Nate’s life especially. Like, “uh, excuse me, I think it’s more like you retroactively moved into my life. My property. This property. That I own.” What’s even better about the mystery hole is that John Rogers was asked about the fact that it was never referenced again, and his response was “BEHIND THAT DOOR IS WHERE YOUR FANFICTION HAPPENS”. -- source link
#iconic