sirrogerdeakins:Visually, technically, and logistically, this was one of the most challenging scenes
sirrogerdeakins:Visually, technically, and logistically, this was one of the most challenging scenes to capture. Over four months,Denis Villeneuve and Roger Deakins mapped out every detail of the fight, the lights, and the holograms. Yet the biggest challenge was deciding which of these elements would dictate the shots. They finally concluded that music would lead the way. Villeneuve started by editing a glitching version of Elvis Presley’s 1970′s Vegas rendition of “Suspicious Minds,” and the song became the baseline for everything that followed. Roger Deakins’ lighting came next. The Art Department then designed and built an extensive set on which Ryan Gosling and Harrison Ford filmed their fight scene. The holograms were shot last to be able to adjust their performances around the main actors, not the other way around. — The Art and Soul of Blade Runner 2049, written by Tanya Lapointe -- source link
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