{Can’t hardly imagine that this space used to be two adjacent rowhouses, and in Greenwich Vill

{Can’t hardly imagine that this space used to be two adjacent rowhouses, and in Greenwich Village in Manhattan! Laura Santos worked her magic with the help of 1100 Architect to renovate the property/ies and create this glamorous and light-filled dwelling.} Eager to make the home a bold reflection of her burgeoning design practice, Santos chose a mix of furnishings and architectural components defined by sculptural profiles and luxurious materials. Her vision reveals itself immediately in the intimate vestibule, where Gio Ponti–style wing chairs mingle with an Hervé Van der Straeten mirror and honed-granite floors complement walnut paneling. This entry shares the ground level with the main kitchen and an adjoining sitting area, the latter accented by a wall of quartzite tile. The glamour factor only increases on the second story, which contains the formal dining room, a satellite kitchen and bar, a media room, a library, and the double-height living room. Anchoring that voluminous space is an open fireplace crowned by a monumental travertine chimney breast, its scale downplayed by its minimalist silhouette. Here, as throughout the home, Santos skillfully deployed fabrics to soften the architecture’s rigid geometries. Diaphanous linen curtains dress the nearly 21-foot-tall windows. Golden wallpaper hand-painted with plum blossoms, meanwhile, provides a sumptuous backdrop in the dining room, where Santos installed Van der Straeten light fixtures and a contemporary BDDW table paired with late-1940s Paul Frankl chairs. “I love the clean lines and sculptural forms of midcentury furniture,” Santos notes. More pleasures await outdoors, where landscape designer Miranda Brooks created an unexpectedly romantic English-style oasis. With rough-hewn fieldstone pavers and a wisteria-covered pergola, the garden far outshines the mingy terraces that pass for Arcadian delights in this space-starved metropolis. “I tried to keep the plantings as wild and loose as possible so that you’re drawn into this idyllic world rather than being distracted by the surrounding buildings,” Brooks explains.  -- source link
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