Vernon Ah Kee is a conceptual contemporary artist based in Brisbane, Australia. Born in North Queens
Vernon Ah Kee is a conceptual contemporary artist based in Brisbane, Australia. Born in North Queensland, Australia, Ah Kee’s work speaks to the universal issues of racism, colonialism, suffering and the perseverance of Indigenous peoples. Ah Kee began with his text works, informed by war and propoganda posters and advertising imagery: these works use the direct effect of text whilst creating abstract shapes through a play with kerning and positioning. Ah Kee states, “Text is immediate. If there’s something you want to say - write it” (borninthisskin, 2009). Ah Kee later began to produce drawings and portraits. The first show of these was Fantasties of the Good at Bellas Milani Gallery in 2004. These portraits draw upon anthropological imagery gathered in the 1930s when it was widely believed that Aboriginal people would become extinct. Ah Kee uses images of his own relatives that we photographed during this time, holding a close personal link to his subjects. In CantChant Ah Kee produced surfboards with rainforest-shield designs. More recently, Ah Kee has produced video works relating to the Palm Island riots. These works were shown in Tall Man in 2010. In 2011 he began to produce paintings - his first show of these was Bad Sign in 2011. This show served as a more conceptual continuation of Tall Man. His painted portrait of Lex Wotton was a finalist in the Archibald Prize 2012. -- source link
#indigenous rights