memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o

memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o
memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity o

memoriastoica:Blue in King of New York (1990)While these images do well to assert the religiousity of this film what they completely miss is its glorious stupidity, its absurd Gangster-as-Saint narrative, and of course its dedication to the utter joy of dancing, as evidenced here, when Walken’s character Frank meets his former associates and friends for the first time after his release from prison: http://www.youtube.com/watch?v=nRX2JmuTF2c. It is another Abel Ferrera masterpiece. -- source link


#abel ferrera#gangster films#religion#dancing#christopher walken#brendan#father#90s cinema
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