“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p

“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p
“Hinds writes that his films are often set in ‘obsolete buildings and train yards, p

“Hinds writes that his films are often set in ‘obsolete buildings and train yards, places that in themselves carrying an aura of sadness and doom, having met their demise and existing now like tombstones,’ such as the cemetery, the train station, and old houses in La rose de fer.” - Marcelline Block, from “Lost Girls: The Phantasmagorical Cinema of Jean Rollin”, 2017.The Shiver of the Vampires (1971)The Iron Rose (1973) Lips of Blood (1975) The Grapes of Death (1978)The Night of the Hunted (1980)Lost in New York (1989)Killing Car (1993)Two Orphan Vampires (1997)Dir. Jean Rollin. -- source link


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